• praxiteles - image 11

    title: Apollo Sauroktonos attributed to Praxiteles Cleveland Museum of Art - DSC08069

    artist: Attributed to praxiteles

    date: 4th century BC

    date QS:P,-350-00-00T00:00:00Z/7
     Edit this at Wikidata

    source: own

    license:CC0

  • praxiteles - image 22

    title: Fotografi på Hermes och Dionysos gjord av Praxiteles Hallwylska museet - 104604

    artist:

    Unknown author

    date: Unknown date

    Unknown date

    source: HWY

    credit: LSH 104604 (hm_dig18119)

    description:

    Note: For documentary purposes the original description has been retained. Factual corrections and alternative descriptions are encouraged separately from the original description.
    Fotografi på Hermes och Dionysos gjord av praxiteles.
    Nyckelord: Resealbum, Staty, Foto

  • praxiteles - image 33

    title: Praxiteles, verksam på 300-talet f Kr, skulptör

    artist:

    Unknown author

    date: Unknown date

    Unknown date

    medium: en Watercolour and gouache on parchment sv Akvarell och gouache på pergament

    current location: Institution:Nationalmuseum Stockholm

    source: Nationalmuseum

    credit: Nationalmuseum

  • praxiteles - image 44

    title: Clevelandart 2004.30.a

    artist: praxiteles

    date: -340

    medium: Bronze, copper and stone inlay

    dimensions: Overall: 150 x 50.3 x 66.8 cm (59 1/16 x 19 13/16 x 26 5/16 in.)

    current location: institution:Cleveland Museum of Art

    source: link

    credit: link

    description:

    Although praxiteles was more successful, and therefore more famous for his marble sculptures, he nevertheless also created very beautiful works in bronze. He made a youthful Apollo called the Sauroktonos (Lizard-Slayer), waiting in ambush for a creeping lizard, close at hand, with an arrow. -Pliny the Elder, 1st century ad This statue of the Apollo Sauroktonos may be the one Pliny the Elder saw in the 1st century ad. The complete sculpture most likely showed the young god pulling back a slender laurel tree with his raised left hand, while holding an arrow at waist level with his right, poised to strike the lizard creeping up the tree. Two Roman marble copies preserve the complete composition: one in the Louvre, the other in the Vatican. The museum's sculpture is the only known life-size bronze version of the Apollo Sauroktonos. Technical features such as the way the sculpture was cast and repaired in antiquity, the copper inlays of the lips and nipples, and the stone insert for the right eye (the left is a restoration) are consistent with a date in the 4th century bc. However, technically it may have been possible to produce such a work in the Hellenistic period. The Apollo Sauroktonos is thought to have been created by praxiteles about 350 bc. Androgynous sensuality and languid, gracefully curved poses are hallmarks of his style. The finest large classical Greek statues were bronzes, but few have survived. If this sculpture is a product of praxiteles' workshop, it is the only large Greek bronze statue that can be attributed to a Greek sculptor. praxiteles was widely popular in his day. His famous Aphrodite of Cnidus (late 360s bc) introduced the life-size nude female figure to Western art.

    license:CC0

  • praxiteles - image 55

    title: Praxiteles Apollo the Python-Slayer - 2004.30 - Cleveland Museum of Art

    artist: praxiteles

    date: c. 350 BC

    medium: Bronze, copper and stone inlay

    dimensions: Overall: 150 x 50.3 x 66.8 cm (59 1/16 x 19 13/16 x 26 5/16 in.)

    current location: institution:Cleveland Museum of Art

    source: link

    credit: link

    description:

    This bronze sculpture of Apollo formerly known as "Sauroktonos," or lizard-slayer, is attributed to the renowned Greek sculptor praxiteles. The survival of an original bronze sculpture attributed to a known artist in ancient Greece is extraordinarily rare. This sculptor is otherwise known only from Roman marble copies of his works.

    license:CC0

  • praxiteles - image 66

    title: Praxiteles Apollo the Python-Slayer - 2004.30.b - Cleveland Museum of Art

    artist: praxiteles

    date: c. 350 BC

    medium: Bronze, copper and stone inlay

    dimensions: Overall: 25.9 x 8.8 x 8.7 cm (10 3/16 x 3 7/16 x 3 7/16 in.)

    current location: institution:Cleveland Museum of Art

    source: link

    credit: link

    description:

    Since antiquity praxiteles's masterpiece has been known as “Sauroktonos” (Lizard-Slayer). Pliny the Elder almost certainly saw the bronze original in Rome in the first century AD. He described a young Apollo about to stab a lizard with an arrow. Roman marble copies seemed to support this identification because they included lizards clinging to thick tree trunks. Until the acquisition of the only known bronze version by the Cleveland Museum of Art in 2004, there was no reason to question Pliny's epithet.

    The Cleveland Apollo's “lizard,” which is probably original to the sculpture, is not a lizard at all. It combines the body of a snake with strangely formed limbs of varying sizes joined asymmetrically to the body. Its disordered anatomy identifies it as an agent of chaos from the world of myth. It is most likely the Python, son of Mother Earth, who Apollo must slay to become the presiding deity at the Delphi sanctuary. The Cleveland Apollo can therefore be called a Python-Slayer, and “Sauroktonos” was perhaps a popular nickname for the famous
    bronze original.

    license:CC0

  • praxiteles - image 77

    title: Praxiteles Apollo the Python-Slayer - 2004.30.c - Cleveland Museum of Art

    artist: praxiteles

    date: c. 350 BC

    medium: Bronze, copper and stone inlay

    dimensions: Overall: 14.8 x 9.4 x 3.6 cm (5 13/16 x 3 11/16 x 1 7/16 in.)

    current location: institution:Cleveland Museum of Art

    source: link

    credit: link

    description:

    Although praxiteles was more successful, and therefore more famous for his marble sculptures, he nevertheless also created very beautiful works in bronze. He made a youthful Apollo called the Sauroktonos (Lizard-Slayer), waiting in ambush for a creeping lizard, close at hand, with an arrow. -Pliny the Elder, 1st century ad This statue of the Apollo Sauroktonos may be the one Pliny the Elder saw in the 1st century ad. The complete sculpture most likely showed the young god pulling back a slender laurel tree with his raised left hand, while holding an arrow at waist level with his right, poised to strike the lizard creeping up the tree. Two Roman marble copies preserve the complete composition: one in the Louvre, the other in the Vatican. The museum's sculpture is the only known life-size bronze version of the Apollo Sauroktonos. Technical features such as the way the sculpture was cast and repaired in antiquity, the copper inlays of the lips and nipples, and the stone insert for the right eye (the left is a restoration) are consistent with a date in the 4th century bc. However, technically it may have been possible to produce such a work in the Hellenistic period. The Apollo Sauroktonos is thought to have been created by praxiteles about 350 bc. Androgynous sensuality and languid, gracefully curved poses are hallmarks of his style. The finest large classical Greek statues were bronzes, but few have survived. If this sculpture is a product of praxiteles' workshop, it is the only large Greek bronze statue that can be attributed to a Greek sculptor. praxiteles was widely popular in his day. His famous Aphrodite of Cnidus (late 360s bc) introduced the life-size nude female figure to Western art.

    license:CC0

  • praxiteles - image 88

    title: Praxiteles Apollo the Python-Slayer - 2004.30.a - Cleveland Museum of Art

    artist: praxiteles

    date: c. 350 BC

    medium: Bronze, copper and stone inlay

    dimensions: Overall: 150 x 50.3 x 66.8 cm (59 1/16 x 19 13/16 x 26 5/16 in.)

    current location: institution:Cleveland Museum of Art

    source: link

    credit: link

    description:

    Although praxiteles was more successful, and therefore more famous for his marble sculptures, he nevertheless also created very beautiful works in bronze. He made a youthful Apollo called the Sauroktonos (Lizard-Slayer), waiting in ambush for a creeping lizard, close at hand, with an arrow. -Pliny the Elder, 1st century ad This statue of the Apollo Sauroktonos may be the one Pliny the Elder saw in the 1st century ad. The complete sculpture most likely showed the young god pulling back a slender laurel tree with his raised left hand, while holding an arrow at waist level with his right, poised to strike the lizard creeping up the tree. Two Roman marble copies preserve the complete composition: one in the Louvre, the other in the Vatican. The museum's sculpture is the only known life-size bronze version of the Apollo Sauroktonos. Technical features such as the way the sculpture was cast and repaired in antiquity, the copper inlays of the lips and nipples, and the stone insert for the right eye (the left is a restoration) are consistent with a date in the 4th century bc. However, technically it may have been possible to produce such a work in the Hellenistic period. The Apollo Sauroktonos is thought to have been created by praxiteles about 350 bc. Androgynous sensuality and languid, gracefully curved poses are hallmarks of his style. The finest large classical Greek statues were bronzes, but few have survived. If this sculpture is a product of praxiteles' workshop, it is the only large Greek bronze statue that can be attributed to a Greek sculptor. praxiteles was widely popular in his day. His famous Aphrodite of Cnidus (late 360s bc) introduced the life-size nude female figure to Western art.

    license:CC0

  • praxiteles - image 99

    title: Angelica Kauffmann Praxiteles Giving Phryne his Statue of Cupid - 59.008 - Rhode Island School of Design Museum

    artist: Angelica Kauffman

    date: 1794 Edit this at Wikidata

    source: link

    credit: link

  • praxiteles - image 10

    title: George Childs after John Flaxman, Venus of Cnidos, by Praxiteles, published 1829, NGA 59447

    artist:

    George Childs after John Flaxman

    date: published 1829

    medium: lithograph [proof before letters]

    current location: Institution:National Gallery of Art

    source: link Template:NGADC

    credit: This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.

    license:CC0

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