title: Pompeii couple

artist:

date: 1st century

medium: en fresco it Affresco romano staccato, del secondo stile

current location: en|Exhibited in the [[National Archaeological Museum of Naples]] in Naples. it|[[:Category:Museo archeologico nazionale (Naples)|Museo Archeologico Nazionale di Napoli]] (inv. nr. 9058).

credit: Unknown source

title: Hackert, Blick auf die Ruinen von Pompeji, 1799

artist:

date: 1799

source: Andreas Stolzenburg et al., ''Jakob Philipp Hackert. Europas Landschaftsmaler der Goethezeit'', Ostfildern: Hatje Cantz Verlag; Weimar: Klassik Stiftung Weimar; Hamburg: Hamburger Kunsthalle, 2008, p. 307.

credit: Andreas Stolzenburg et al., Jakob Philipp Hackert. Europas Landschaftsmaler der Goethezeit, Ostfildern: Hatje Cantz Verlag; Weimar: Klassik Stiftung Weimar; Hamburg: Hamburger Kunsthalle, 2008, p. 307.

description: Jacob Philipp Hackert, View of the Ruines of pompeii (1799), oil on canvas, 117.5 x 166 cm, Attingham Park, Shrewsbury, Shropshire, The Berwick Collection, The National Trust. The image portrays the "Triangular forum" in pompeii in 1799.

title: Karl Brullov The Last Day of Pompeii - Google Art Project

artist: Karl Bryullov

date: (1830 - 1833)

credit: tAFrCGFUhXM8Jg at Google Cultural Institute zoom level scaled down from second highest

description: Briullov visited pompeii in 1828 and made sketches depicting the AD 79 Vesuvius eruption. The painting received rapturous reviews at its exhibition in Rome and brought Briullov more acclaim than any other work during his lifetime. The first Russian artwork to cause such an interest abroad, it inspired an anthologic poem by Alexander Pushkin, and the novel The Last Days of pompeii by Edward Bulwer-Lytton. It depicts a classical topic but exhibits characteristics of Romanticism as manifested in Russian art, including drama, realism tempered with idealism, interest in nature, and a fondness for historical subjects. A self portrait is in the upper left corner of the painting, under the steeple, but not easy to identify.

title: Fresque des mytères, Pompéi

artist:

date: ca. 50 BCE

source: from ''Le Musée absolu'', Phaidon, 10-2012

credit: from Le Musée absolu, Phaidon, 10-2012

description: Silenus holding a lyre (left); demi-god Pan and a nymph sitting on a rock, nursing a goat (centre); woman with coat (right). Fresco of the mystery ritual, right, Villa of the Mysteries, pompeii, Italy.

title: Still life with eggs, birds and bronze dishes, Pompeii

artist:

date: 50-79 BCE

source: from ''Le Musée absolu'', Phaidon, 10-2012

credit: from Le Musée absolu, Phaidon, 10-2012

description: Still life with eggs, birds and bronze dishes, from the House of Julia Felix, pompeii. Height: 74 cm.

title: Mosaic of marine life, Pompeii.

artist:

date: circa 100 BCE

dimensions: 88 x 88 cm

current location: Institution:Naples National Archaeological Museum

source: from ''Le Musée absolu'', Phaidon, 10-2012

description: Mosaic of marine life, pompeii, Italy.

title: Mosaic of marine life, Pompeii.

artist:

date: circa 100 BCE

dimensions: 88 x 88 cm

current location: Institution:Naples National Archaeological Museum

source: link

description: Mosaic of marine life, pompeii, Italy.

title: Memento Mori mosaic (from Pompeii)

artist:

date: 1^st century BC

source: Own

title: Plaster Casts of Bodies, Pompeii- MET DP262064

artist: Giorgio Sommer

date: circa 1875

medium: Albumen print from glass negative

dimensions: Image: 27.3 x 38.4 cm (10 3/4 x 15 1/8 in.) Sheet: 27.8 x 38.4 cm (10 15/16 x 15 1/8 in.) Mount: 47.8 x 55.8 cm (18 13/16 x 21 15/16 in.)

current location: Institution:Metropolitan Museum of Art

source: link Template:TheMet

credit: This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy