1title: Pieter Huys Versuchung des Hl. Antonius
artist: Pieter Huys
date: 1577
medium: technique color wood
dimensions: Size cm 76 94
current location: Institution:Museum Mayer van den Bergh city|Antwerpen
source: Yorck
credit: The Yorck Project () 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202.
license:Public domain
2title: Claude Lorrain 020
artist: Claude Lorrain
date: 1648
medium: Technique Oil Canvas
dimensions: Size cm 152.3 200.6
current location: Institution:National Gallery, London
source: Yorck
credit: The Yorck Project () 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202.
description: Arcadian scene, the connection with the biblical story of Isaac and Rebecca is Claude's inscription on the tree stump in the centre. Another version without the inscription is called 'The Mill' (now in the 'Palazzo Doria Pamphilij' in Rome).
license:Public domain
3title: Die Überquerung des Roten Meeres
artist: Nicolas Poussin
date: 1633-1637
medium: technique oil canvas
dimensions: size cm 154 210
current location: institution:National Gallery of Victoria
source: Yorck
credit: The Yorck Project () 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202.
license:Public domain
4title: Plate 19 of 22 for the Macklin Bible after Loutherbourg. Bowyer Bible. Christ at Emmaus
artist: James Fittler
date: 6 October 1798
medium: print
source: Photo by Harry Kossuth
credit: Photo by Harry Kossuth
description: A plate engraved for the <a href="//commons.wikimedia.org/wiki/Category:Macklin_Bible" title="Category:Macklin bible">Macklin biblea> after a specially-commissioned <u style="background-color:yellow;" class="">paintingu> by Philippe Jacques De Loutherbourg. Photographed from the <a href="//commons.wikimedia.org/wiki/Category:Bowyer_Bible" title="Category:Bowyer bible">Bowyer biblea>, Bolton, England. Bowyer bible 37.5210. Christ at Emmaus. Two disciples kneeling beside a table observing Christ in clouds above, who raises his right hand and casts a ray of light down onto them, one holding arms wide open in exultation, the other at left with head bowed (Luke 24:31). 1798. Inscriptions: Lettered below image with title, bible reference, production detail: "P. J. De Loutherbourgh R.A. pinxt.", "J. Fitler sculpt." and publication line: "London, Published Octr. 6th. 1798 by Thos. Macklin, Poets Gallery, Fleet Street". Print made by James Fittler. Dimensions: Height: 482 millimetres; width: 397 millimetres. There is a larger version, engraved by J. Whessell and published by Bowyer in 1801. The original <u style="background-color:yellow;" class="">paintingu> is now in the Birmingham Museum and Art Gallery: 48½ X 37½ .
license:
FAL
5title: WLANL MicheleLovesArt - Van Gogh Museum - Still life with bible, 1885
artist: Vincent van Gogh
date: 1885
current location: Institution:Van Gogh Museum
source: [link Van Gogh Museum - Still life with bible, 1885]
description: Vincent van Gogh 1855-1890 <p>Stilleven met bijbel, 1885 Still life with bible p> <p>olieverf op doek / oil on canvas Van Gogh museum, Amsterdam (Vincent van Gogh Stichting) p> <p>Van Gogh schilderde dit stilleven uitzonderlijk snel en gemakkelijk. Hij schreef trots aan zijn broer dat hij het binnen een dag had voltooit. Theo probeerde hem aan te zetten tot een helderder kleurgebruik en vooral tot het bannen van zwarte pigmenten. Van Gogh gebruikte inderdaad een kleuriger palet, waardoor het stilleven niet alleen inhoudelijk maar ook stillistisch modernet werd. Evengoed liet hij het citroengeel alsnog met een effen zwarte achtergrond contrasteren en gaf hij de lichtschaduwwerking toch op de straditionele manier weer. p> <p>Van Gogh painted this still life exceptionally quickly and easily, and proudly informed his brother that he had completed it in just one day. Theo was trying to encourage him to use brighter colours and, above all, to give up black pigments entirely. Van Gogh did in fact begin to use a more colourful palette, so that not only his subject matter, but also his style became more modern. Nevertheless, in this <u style="background-color:yellow;" class="">paintingu> he uses a plain black background to contrast with the lemon yeloow, and his handling of light and shadowis quite traditional. p> This photo was taken on 23 june 2009 during a one-time exclusive photo session at the Van Gogh Museum in Amsterdam for the <a rel="nofollow" class="external text" href="http://www.wikilovesart.nl">Wiki Loves Art /NLa> project.
license:
CC BY-SA 2.0
6title: Mose Aaron Hur
artist: John Everett Millais
date: 5 June 2011 (Original: 2007-04-28)
medium: technique painting
dimensions: size
source: File:VictoryOLord.JPG [[User: Paul Barlow]]
credit: File:VictoryOLord.JPG User: Paul Barlow
description: Moses, supported by Aaron and Hur, is praying for victory (<u style="background-color:yellow;" class="">paintingu> by J.E. Millais, 1923)
license:Public domain
7title: John Martin Belshazzar's Feast - Google Art Project
artist: John Martin
date: 1820
dimensions: w1302 x h902 x d64 cm
current location: en|Not on View Yale Center for British Art
credit: xgEUR8n25J7k0Q at Google Cultural Institute maximum zoom level
license:Public domain
8title: The Holy Bible. With a few short notes at the foot of the page.- (R. Bowyer- London, 1796.) -3 vols - Upper cover (c188a9)
artist:
Frye, Benjamin, of Halifax & Manchesterdate: Binding: 18c
medium: Decorative Technique: Tooled in gold|Drawing|Onlaid; Cover Material: Goatskin (includes morocco, turkey etc)
source: British Library image |url=link
credit: This file has been provided by the British Library from its digital collections. It is also made available on a British Library website.
description: <div class="description"> Style: Pictorial|Presentation|Cornerpiece made of small tools|Floral; Caption: Upper cover; Colour: Blue; Edge: <u style="background-color:yellow;" class="">paintingu> under giltdiv>
license:
CC0
9title: Study of a young man bending forward to kiss a hand, for the painting The Departure of the Prodigal Son (now lost) MET DP808385
artist: James Tissot
date: 1862–63
medium: Graphite, heightened with white, on pink paper
dimensions: 9 1/2 x 12 1/16 in. (24.1 x 30.6 cm)
current location: Institution:Metropolitan Museum of Art
source: link Template:TheMet
credit: This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
description: <div class="description"> <dl><dt>Drawing; Drawingsdt>dl> div>
license:
CC0
title: Study of a young man bending forward to kiss a hand, for the painting The Departure of the Prodigal Son (now lost) MET 1970.114.1
artist: James Tissot
date: 1862–63
medium: Graphite, heightened with white, on pink paper
dimensions: 9 1/2 x 12 1/16 in. (24.1 x 30.6 cm)
current location: Institution:Metropolitan Museum of Art
source: link Template:TheMet
credit: This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
description: <div class="description"> <dl><dt>Drawing; Drawingsdt>dl> div>
license:
CC0
_-3_vols_-_Upper_cover_(c188a9).jpg){kind=small}
_MET_DP808385.jpg){kind=small}
_MET_1970.114.1.jpg){kind=small}
