artist: Jacques-Louis david
date: 1801 Belvedere, from 1802 until 1803
medium: oil on canvas
dimensions: size cm 275 232 Belvedere<br> size cm 246 231 Kunsthistorisches Museum
current location: Institution:Belvedere
license:Public domain
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license:Public domain
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DONATE TO OAIartist: Jacques-Louis david
source: histoire image: [link info] [link pic]
credit: histoire image: info pic
description: Bonaparte has an orange cloak, the crispin (cuff) of his gauntlet is embroidered, the horse is piebald, black and white, and the tack is complete and includes a standing martingale. The girth around the horse's belly is a dark faded red. The officer holding a sabre in the background is obscured by the horse's tail. napoleon's face appears youthful.
license:Public domain
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source: histoire image: [link info] [link pic]
credit: histoire image: info pic
license:Public domain
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DONATE TO OAIartist: Jacques-Louis david
date: between 1805 and 1807
medium: technique oil canvas
dimensions: size cm 621 979
current location: room|75| LangSwitch :Museum:Louvre
source: art database
credit: art database
license:Public domain
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source: art database
credit: art database
license:Public domain
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DONATE TO OAIartist: Jacques-Louis david
date: between 1805 and 1807
medium: technique oil canvas
dimensions: size cm height=621 width=979
current location: Louvre location|room ID=400|object department=paintings :Museum:Louvre
source: LangSwitch
credit: Edited version of: File:Jacques-Louis david, The Coronation of napoleon.jpg Who is Who
license:Public domain
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source: LangSwitch
credit: Edited version of: File:Jacques-Louis david, The Coronation of napoleon.jpg Who is Who
license:Public domain
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DONATE TO OAIartist: Joseph Nicolas Jouy
date: 1852, original painting by Kinson: 1804
medium: Oil on canvas
dimensions: size cm 215 140
current location: Institution:Versailles <!--within the institution-->
source: [link nationalmuseum.se] - Photo by Gérard Blot. Joconde|000PE004812
credit: nationalmuseum.se - Photo by Gérard Blot.
license:Public domain
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source: [link nationalmuseum.se] - Photo by Gérard Blot. Joconde|000PE004812
credit: nationalmuseum.se - Photo by Gérard Blot.
license:Public domain
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DONATE TO OAIartist: Jacques-Louis david
source: From Google Cultural Institute|zQEbF0AA9NhCXQ
license:Public domain
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source: From Google Cultural Institute|zQEbF0AA9NhCXQ
license:Public domain
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DONATE TO OAIartist: Jacques-Louis david
date: 1812
medium: technique oil canvas
dimensions: w1251 x h2039 cm
current location: National Gallery of Art, Washington DC
credit: zQEbF0AA9NhCXQ at Google Cultural Institute maximum zoom level
license:Public domain
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credit: zQEbF0AA9NhCXQ at Google Cultural Institute maximum zoom level
license:Public domain
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DONATE TO OAIartist: Jacques-Louis david
date: 1801 Belvedere, from 1802 until 1803
medium: oil on canvas
dimensions: size cm 275 232 Belvedere<br> size cm 246 231 Kunsthistorisches Museum
current location: Institution:Belvedere
source: [link Google Art Project]
credit: Google Art Project
license:Public domain
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source: [link Google Art Project]
credit: Google Art Project
license:Public domain
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DONATE TO OAIartist: Jacques-Louis david
date: circa 1807
medium: Oil on panel
dimensions: 88.3 x 59.4 cm
current location: Harvard Art Museums.
source: See: [link Harvard Art Museums.]
credit: See: Harvard Art Museums.
license:Public domain
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This portrait of Napoleon is believed to be the model for a larger composition, now lost. After his coronation in the Cathedral of Notre Dame on December 2, 1804, portraits like this one of the emperor in his ceremonial garb were commissioned and disseminated throughout Europe. Their main purpose was to establish an iconography of the emperor’s reign, which relied on royal conventions of sovereignty stretching back to Charlemagne. These customs were known intimately to David and his students, as David had attended the coronation and composed a large-scale painting of the event over a three-year period. Though this is a study, details that are typical of David’s portraits abound here; they include the reflections in the golden orb in the emperor’s left hand and the exquisite depictions of the contrasting textures of fur, velvet, and brocade in his robe. by Jacques-Louis David
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DONATE TO OAIThis portrait of Napoleon is believed to be the model for a larger composition, now lost. After his coronation in the Cathedral of Notre Dame on December 2, 1804, portraits like this one of the emperor in his ceremonial garb were commissioned and disseminated throughout Europe. Their main purpose was to establish an iconography of the emperor’s reign, which relied on royal conventions of sovereignty stretching back to Charlemagne. These customs were known intimately to David and his students, as David had attended the coronation and composed a large-scale painting of the event over a three-year period. Though this is a study, details that are typical of David’s portraits abound here; they include the reflections in the golden orb in the emperor’s left hand and the exquisite depictions of the contrasting textures of fur, velvet, and brocade in his robe. by Jacques-Louis David
Check the source and the license before reuse this image
source: See: [link Harvard Art Museums.]
credit: See: Harvard Art Museums.
license:Public domain
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DONATE TO OAIartist: Jacques-Louis david
date: between 1805 and 1807
medium: technique oil canvas
dimensions: size cm 621 979
current location: room|75| LangSwitch :Museum:Louvre
source: Derived from|Jacques-Louis david - The Coronation of napoleon (1805-1807).jpg|display=120
credit: This file was derived from: Jacques-Louis david - The Coronation of napoleon (1805-1807).jpg:
license:Public domain
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source: Derived from|Jacques-Louis david - The Coronation of napoleon (1805-1807).jpg|display=120
credit: This file was derived from: Jacques-Louis david - The Coronation of napoleon (1805-1807).jpg:
license:Public domain
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