artist:
date: 1694
current location: Institution:Institut Cartogràfic de Catalunya
source: [link ICC]
credit: ICC
license:Public domain
artist: Gustave le Gray
date: 1857
medium: Albumen silver print from glass negative
dimensions: Image: 38.5 x 50.9; Mount: 49.5 x 60.7
current location: Institution:Metropolitan Museum of Art
source: Met online|285461 TheMet
credit: This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
license:Public domain
artist: Paul Signac
medium: Watercolor over black chalk
dimensions: sheet: 11 x 14 1/2 in. (27.9 x 36.8 cm)
current location: Institution:Metropolitan Museum of Art
source: Met online|396898 TheMet
credit: This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
license:Public domain
artist: Robert Antoine Pinchon
date: 1905
medium: Oil on canvas
dimensions: size cm 54 73
current location: Musée des Beaux-arts de Rouen
source: [link Autour de l'impressionnisme] and [link www.rouen-musees.com]
credit: Autour de l'impressionnisme and www.rouen-musees.com
license:Public domain
artist: Jean Béraud
date: between circa 1879 and circa 1882
medium: Technique oil panel
dimensions: Size cm 37.5 56
current location: Private collection
source: [link Sotheby's, London, 10 December 2014, lot 30]
credit: Sotheby's, London, 10 December 2014, lot 30
description: Modiste sur le pont des arts">pont des arts belongs to the series of paintings Béraud made of the bustling pont des arts in wintry or windy weather, with the dome of the Institut de France visible beyond. Of the four other related versions of the subject (see Patrick Offenstadt, Jean Béraud. The Belle Epoque: A Dream of Times Gone By, Cologne, 1999, nos. 166, 167, 168, 168bis), one is in the Pushkin Museum, Moscow, and another in the Metropolitan Museum of Art, New York.
Here, Béraud captures the spirit of the moment, as a gust of wind sweeps over the bridge, the men leaning forward or back into the wind and clutching their hats. Out of the corner of his eye a young artist - to judge by his canvas and paint box - steals a glimpse of a pretty young milliner laden with hat boxes, who in turn sends a coquettish glance towards the viewer. In another work in the series, the girl herself is cast as the artist, with a top-hatted man looking back at her over his shoulder. It is intriguing to speculate about the possible identity of the bearded man in the tan coat. Could he be a self-referential figure, Béraud himself catching sight of his next subject? Or could he be the painter Elixir from Proust’s Remembrance of Things Past, known to have been a composite of Blanche, Helleu, Gervex, Vuillard, Whistler, and Jean Béraud?
Béraud’s paintings are today synonymous with the Paris Belle Époque, so much so that at the turn of the century a scene of Parisian life came to be known as a ‘Béraud’. He adored the city, in all weathers, at any time of day or night, indoors or out, and above all loved its people, whether the aristocracy and upper middle classes, the bourgeoisie, or the working people. A pupil of Léon Bonnat, Béraud’s rigorous draughtsmanship owes something to this academic training, but his choice of subjects was poles apart from those of the Neoclassicists Bouguereau, Clairin and Gleyre. Doubtless Béraud’s elegant realism owed something to the new art of photography pioneered by Niépce, Daguerre, and Fox Talbot. But, hungry for verisimilitude, he was in a sense a roving camera himself, making sketches on the spot, on foot or from hansom cabs.license:Public domain
artist: Paul Signac
date: Unknown date
medium: Watercolor over black chalk
dimensions: sheet: 11 x 14 1/2 in. (27.9 x 36.8 cm)
current location: Institution:Metropolitan Museum of Art
source: link Template:TheMet
credit: This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
license:CC0
artist: Stanislas Lépine
date: between 1878 and 1883
medium: technique oil canvas
dimensions: size unit=cm height=39.5 width=56
current location: Institution:Fondation Bemberg Salle 11
source: own
license:Public domain
artist: Émile Schuffenecker
date: 19e
source: Musée des Beaux-arts de Brest
credit: Cette œuvre fait partie de la collection du Musée des Beaux-arts de Brest.
description: le pont
license:Public domain
artist: Gustave le Gray
date: between 1856 and 1858
medium: albumen print from collodion negative
dimensions: sheet: 37.8 x 48.8 cm (14 7/8 x 19 3/16 in.) overall: 55.9 x 71.1 cm (22 x 28 in.)
current location: Institution:National Gallery of Art
source: link Template:NGADC
credit: This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
license:CC0
artist:
date: 1890
medium: technique etching
current location: Institution:National Gallery of Art
source: link Template:NGADC
credit: This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
license:CC0