title: Orlando Furioso 20

artist: gustave Doré

medium: drawing

credit: Unknown source

title: Gustave Doré - Dante Alighieri - Inferno - Plate 9 (Canto III - Charon)

artist: gustave Doré

date: Originally 1857

source: [From the Title Page:] Dante's Inferno
translated by
The Rev. Henry Francis Cary, MA
from the original of
Dante Alighieri
and illustrated with the designs of
M. gustave Doré
New Edition
With Critical and Explanatory notes, Life of Dante, and Chronology
Cassell, Petter, Galpin & Co.
New York, London and Paris The book was printed c. 1890 in America.

credit: [From the Title Page:] Dante's Inferno translated by The Rev. Henry Francis Cary, MA from the original of Dante Alighieri and illustrated with the designs of M. gustave Doré New Edition With Critical and Explanatory notes, Life of Dante, and Chronology Cassell, Petter, Galpin & Co. New York, London and Paris The book was printed c. 1890 in America.

description: gustave Doré's illustration to Dante's Inferno. Plate IX: Canto III: Arrival of Charon. "And lo! towards us coming in a boat / An old man, hoary with the hair of eld, / Crying: 'Woe unto you, ye souls depraved!'" (Longfellow's translation) "And, lo! toward us in a bark / Comes an old man, hoary white with eld, / Crying "Woe to you, wicked spirits!" (Cary's translation)

title: Nadar, Gustave Doré Getty Museum

artist: Nadar

date: between 1855 and 1859

medium: Salt print

dimensions: Image (rounded corners): 23.5 x 18.7 cm (9 1/4 x 7 3/8 in.), Mount: 24.1 x 19.2 cm (9 1/2 x 7 9/16 in.)

current location: Institution:Getty Museum

source: Getty Museum online|45616

credit: The Getty Center, Object 45616 This image was taken from the Getty Research Institute's Open Content Program, which states the following regarding their assessment that no known copyright restrictions exist: Open content images are digital surrogates of works of art that are in the Getty's collections and in the public domain, for which we hold all rights, or for which we are not aware of any rights restrictions. While the Getty Research Institute cannot make an absolute statement on the copyright status of a given image, "Open content images can be used for any purpose without first seeking permission from the Getty." More information can be found at link known copyright restrictionsNo restrictionshttp://www.getty.edu/about/opencontent.htmlfalse

description: gustave Doré was a painter primarily known for his illustrations of books, including a version of the Bible. He was a good friend of Nadar, who photographed Doré many times, even on his deathbed. Doré appears here in the flush of newly earned celebrity, a jaunty young man in checked trousers and a scarf. His sweep of hair cascades across his head as if blown by the wind; his overcoat gapes open to reveal a leg poised to carry him forward, as though he has places to go and can only sit still for a moment. Although the chair in which he sits is clearly visible, he appears to hover unanchored above it. Nadar has captured the spontaneity and energy of a young artist on the rise.

title: Gustave Doré by Nadar Getty Museum

artist: Nadar

date: circa 1855

medium: Salt print

dimensions: Image (rounded corners): 23.5 x 18.7 cm (9 1/4 x 7 3/8 in.), Mount: 24.1 x 19.2 cm (9 1/2 x 7 9/16 in.)

current location: Institution:Getty Museum

source: Getty Museum online|45616

credit: The Getty Center, Object 45616 This image was taken from the Getty Research Institute's Open Content Program, which states the following regarding their assessment that no known copyright restrictions exist: Open content images are digital surrogates of works of art that are in the Getty's collections and in the public domain, for which we hold all rights, or for which we are not aware of any rights restrictions. While the Getty Research Institute cannot make an absolute statement on the copyright status of a given image, "Open content images can be used for any purpose without first seeking permission from the Getty." More information can be found at link known copyright restrictionsNo restrictionshttp://www.getty.edu/about/opencontent.htmlfalse

description: gustave Doré was a painter primarily known for his illustrations of books, including a version of the Bible. He was a good friend of Nadar, who photographed Doré many times, even on his deathbed. Doré appears here in the flush of newly earned celebrity, a jaunty young man in checked trousers and a scarf. His sweep of hair cascades across his head as if blown by the wind; his overcoat gapes open to reveal a leg poised to carry him forward, as though he has places to go and can only sit still for a moment. Although the chair in which he sits is clearly visible, he appears to hover unanchored above it. Nadar has captured the spontaneity and energy of a young artist on the rise.

title: Gustave Dore Les Mendiants de Burgos

artist: gustave Doré

date: 1875

medium: Technique oil canvas

dimensions: size cm 64 119

source: [link L'imaginaire au pouvoir - Flammarion]

credit: L'imaginaire au pouvoir - Flammarion

title: Gustave Doré La marche des chevaliers

artist: gustave Doré

medium: Technique watercolor colorand=white and=wash

source: [link L'imaginaire au pouvoir - Flammarion]

credit: L'imaginaire au pouvoir - Flammarion

title: Gustave Doré, Autoportrait (1851)

artist: gustave Doré

date: 1851

source: link

credit: link

title: Gustave Doré, calling card MET DP863348

artist:

date: circa 1849

medium: Engraving

dimensions: Sheet: 2 3/8 in. × 4 in. (6 × 10.2 cm)

current location: Institution:Metropolitan Museum of Art

source: link Template:TheMet

credit: This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy

title: Gustave Doré, A Backstreet in London, 1868, NGA 141211

artist: gustave Doré

date: 1868

medium: graphite with stumping on wove paper

dimensions: sheet: 27.7 x 20.9 cm (10 7/8 x 8 1/4 in.)

current location: Institution:National Gallery of Art

source: link Template:NGADC

credit: This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.