artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Lyubov_Popova" class="extiw" title="w:en:Lyubov Popova">Lyubov Popova</a> </bdi>
date: 1915<div style="display: none;">date QS:P571,+1915-00-00T00:00:00Z/9</div>
source: Scanned from Petrova, Bassner, Burliuk-Holt: ''Russian Futurism'', ISBN|3-930775-91-3
credit: Scanned from Petrova, Bassner, Burliuk-Holt: <i>Russian Futurism</i>, <a href="//commons.wikimedia.org/wiki/Special:BookSources/3-930775-91-3" title="Special:BookSources/3-930775-91-3">ISBN 3-930775-91-3</a>
license:Public domain
artist: <div class="fn value"> <a href="https://en.wikipedia.org/wiki/Lyubov_Popova" class="extiw" title="en:Lyubov Popova">en:Lyubov Popova</a> </div>
date: 1913/1914
source: Scanned from Petrova,Bassner, Burliuk-Holt ''Russian Futurism'', ISBN|3-930775-91-3
credit: Scanned from Petrova,Bassner, Burliuk-Holt <i>Russian Futurism</i>, <a href="//commons.wikimedia.org/wiki/Special:BookSources/3-930775-91-3" title="Special:BookSources/3-930775-91-3">ISBN 3-930775-91-3</a>
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Natalia_Goncharova" class="extiw" title="w:en:Natalia Goncharova">Natalia Goncharova</a> </bdi>
source: Шишанов В. А. Витебский Музей современного искусства: история создания и коллекции. 1918—1941. Минск: Медисонт, 2007. 144 с. transferred from|ru.wikipedia|Alex-engraver|CommonsHelper
credit: Шишанов В. А. Витебский Музей современного искусства: история создания и коллекции. 1918—1941. Минск: Медисонт, 2007. 144 с. Transferred from <span class="plainlinks"><a class="external text" href="https://ru.wikipedia.org">ru.wikipedia</a></span> to Commons by <a href="//commons.wikimedia.org/wiki/User:Alex-engraver" title="User:Alex-engraver">Alex-engraver</a> using <a href="https://iw.toolforge.org/commonshelper/" class="extiw" title="toollabs:commonshelper/">CommonsHelper</a>.
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Fill%C3%ACa" class="extiw" title="w:en:Fillìa">Fillìa</a> </bdi>
date: between 1930 and 1931 <div style="display: none;">date QS:P571,+1930-00-00T00:00:00Z/8,P1319,+1930-00-00T00:00:00Z/9,P1326,+1931-00-00T00:00:00Z/9</div>
medium: technique watercolor and=tempera cardboard
dimensions: 46,8 × 68,7 cm
current location: Trento, [[:it:Museo dell'aeronautica Gianni Caproni|Museo dell'aeronautica Gianni Caproni]]
source: transferred from|it.wikipedia|Daehan
credit: Transferred from <span class="plainlinks"><a class="external text" href="https://it.wikipedia.org">it.wikipedia</a></span> to Commons by <a href="//commons.wikimedia.org/wiki/User:Daehan" title="User:Daehan">Daehan</a>.
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Feodor_Chaliapin" class="extiw" title="w:en:Feodor Chaliapin">Feodor Chaliapin</a> </bdi>
date: 1922<div style="display: none;">date QS:P571,+1922-00-00T00:00:00Z/9</div>
dimensions: <!-- size units=cm width= height=-->
source: Scanned from: cite book|author=|editor=Пономаренко Ю.А.|title=Рисунки Шаляпина|location=Москва|publisher=Планета|year=2008|page=|format=LangSwitch|en=set of postcards|ru=набор открыток |language=ru
credit: Scanned from: <cite class="book" style="font-style:normal">Пономаренко Ю.А. , ed. (in Russian) (<span style="white-space:nowrap"><time class="dtstart" datetime="2008">2008</time></span>) <i> Рисунки Шаляпина</i> (set of postcards), <a href="https://en.wikipedia.org/wiki/en:Moscow" class="extiw" title="w:en:Moscow">Moscow</a>: Планета <small></small></cite>
license:Public domain
artist: Khlebnikov, Velimir Vladimirovich, 1885-1922
date: 1914<div style="display: none;">date QS:P571,+1914-00-00T00:00:00Z/9</div>
medium: ru 1=Книги fr 1=Livres en 1=Books zh 1=图书 pt 1=Livros ar 1=كتب es 1=Libros
dimensions: en 1=32 pages, illustrations
current location: ru|1=Российская национальная библиотека fr|1=Bibliothèque nationale de Russie en|1=National Library of Russia zh|1=俄罗斯国家图书馆 pt|1=Biblioteca Nacional da Rússia ar|1=مكتبة روسيا الوطنية es|1=Biblioteca Nacional de Rusia
source: http://dl.wdl.org/9555/service/9555.pdf * Gallery: http://www.wdl.org/en/item/9555/
credit: <p><a rel="nofollow" class="external free" href="http://dl.wdl.org/9555/service/9555.pdf">http://dl.wdl.org/9555/service/9555.pdf</a> </p> <ul><li>Gallery: <a rel="nofollow" class="external free" href="http://www.wdl.org/en/item/9555/">http://www.wdl.org/en/item/9555/</a> </li></ul>
description: This work is a collection of poems, plays, and essays by the Russian futurist Velimir Khlebnikov (born Viktor Khlebnikov, 1885–1922). It opens with Khlebnikov’s statement on the unity of Slavs in the aftermath of the annexation of Bosnia and Herzegovina by Austria-Hungary in 1908. The book includes a segment of his poem “The Wood Nymph and the Goblin,” the play <em>Asparuh</em>, and the drama in verse <em>Marquise Dezes</em>. It concludes with Khlebnikov’s reflections on railroads. The volume is illustrated by Kazimir Malevich and Vladimir Burliuk. Khlebnikov was born in Astrakhan Province and lived most of his life in Kazan. He attended university in Kazan and later in Saint Petersburg but gave up academic pursuits to devote himself entirely to literature. In addition to his writing, Khlebnikov developed a life-long interest in numbers, mathematical tables, and calculations by which he tried to identify the laws governing the course of history and the fate of peoples. The late 19th–early 20th centuries became known as the Silver Age of Russian poetry, of which <u style="background-color:yellow;" class="">futurism</u>, along with several other movements, was part. In 1912 a group of futurists that included Khlebnikov presented a manifesto, <em>A Slap in the Face of Public Taste</em>, which emphasized the need for poets to create a new language and to throw overboard from the “Ship of Modernity” Pushkin, Dostoevsky, Tolstoy, and other classic authors and to proclaim the “self-sufficient word” as the core of a new aesthetic. World War I and the Russian Revolution of 1917 energized Khlebnikov and influenced the content of his writing. However, his works did not conform to the standards set by the Soviet government and he fell into disfavor. <br>Drama; <u style="background-color:yellow;" class="">futurism</u> (Art); <u style="background-color:yellow;" class="">futurism</u> (Literary movement); Poetry; Russian drama; Russian poetry
license:Public domain
artist: Khlebnikov, Velimir Vladimirovich, 1885-1922
date: 1912<div style="display: none;">date QS:P571,+1912-00-00T00:00:00Z/9</div>
medium: ru 1=Журналы fr 1=Journaux, revues en 1=Journals zh 1=期刊 pt 1=Diários ar 1=المجلات es 1=Diarios y revistas
current location: ru|1=Российская национальная библиотека fr|1=Bibliothèque nationale de Russie en|1=National Library of Russia zh|1=俄罗斯国家图书馆 pt|1=Biblioteca Nacional da Rússia ar|1=مكتبة روسيا الوطنية es|1=Biblioteca Nacional de Rusia
source: http://dl.wdl.org/9556/service/9556.pdf * Gallery: http://www.wdl.org/en/item/9556/
credit: <p><a rel="nofollow" class="external free" href="http://dl.wdl.org/9556/service/9556.pdf">http://dl.wdl.org/9556/service/9556.pdf</a> </p> <ul><li>Gallery: <a rel="nofollow" class="external free" href="http://www.wdl.org/en/item/9556/">http://www.wdl.org/en/item/9556/</a> </li></ul>
description: <em>Creations</em> was a magazine produced by Hylaea<em>, </em>а Russian futurist group of which Velimir Khlebnikov (born Viktor Khlebnikov, 1885–1922) was one of the leading figures. This issue includes Khlebnikov’s poems, poetical fragments, and his play, <em>The Little Devil</em>. His works are preceded by two introductions, one by David Burliuk and another by Vasily Kamensky, both of whom were associated with Hylaea. They emphasize Khlebnikov’s talent and credit him with liberating words and imbuing them with grand meaning. <em>Creations</em> was illustrated by David and Vladimir Burliuk. Khlebnikov was born in Astrakhan Province and lived most of his life in Kazan. He attended university in Kazan and later in Saint Petersburg but gave up academic pursuits to devote himself entirely to literature. In addition to his writing, Khlebnikov developed a life-long interest in numbers, mathematical tables, and calculations by which he tried to identify the laws governing the course of history and the fate of peoples. The late 19th–early 20th centuries became known as the Silver Age of Russian poetry, of which <u style="background-color:yellow;" class="">futurism</u>, along with several other movements, was part. In 1912 a group of futurists that included Khlebnikov presented a manifesto, <em>A Slap in the Face of Public Taste</em>, which emphasized the need for poets to create a new language and to throw overboard from the “Ship of Modernity” Pushkin, Dostoevsky, Tolstoy, and other classic authors and to proclaim the “self-sufficient word” as the core of a new aesthetic. World War I and the Russian Revolution of 1917 energized Khlebnikov and influenced the content of his writing. However, his works did not conform to the standards set by the Soviet government and he fell into disfavor. <br>Drama; <u style="background-color:yellow;" class="">futurism</u> (Art); <u style="background-color:yellow;" class="">futurism</u> (Literary movement); Poetry; Russian drama; Russian poetry
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Umberto_Boccioni" class="extiw" title="w:en:Umberto Boccioni">Umberto Boccioni</a> </bdi>
date: 1913<div style="display: none;">date QS:P571,+1913-00-00T00:00:00Z/9</div>
source: [https://www.guggenheim.org/artwork/23416 Peggy Guggenheim Collection]
credit: <a rel="nofollow" class="external text" href="https://www.guggenheim.org/artwork/23416">Peggy Guggenheim Collection</a>
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Umberto_Boccioni" class="extiw" title="w:en:Umberto Boccioni">Umberto Boccioni</a> </bdi>
date: 1912<div style="display: none;">date QS:P571,+1912-00-00T00:00:00Z/9</div>
medium: oil on canvas
dimensions: Size cm 100 100
current location: Institution:Museo del Novecento
source: [http://artblart.com/2014/08/24/exhibition-italian-futurism-1909-1944-reconstructing-the-universe-at-the-solomon-r-guggenheim-museum-new-york/ artblart]
credit: <a rel="nofollow" class="external text" href="http://artblart.com/2014/08/24/exhibition-italian-futurism-1909-1944-reconstructing-the-universe-at-the-solomon-r-guggenheim-museum-new-york/">artblart</a>
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Lyubov_Popova" class="extiw" title="w:en:Lyubov Popova">Lyubov Popova</a> </bdi>
date: 1915<div style="display: none;">date QS:P571,+1915-00-00T00:00:00Z/9</div>
medium: Item Q3305213 de 1=Leinwand en 1=canvas
dimensions: de 1=72,0 x 71,5 cm en 1=72.0 x 71.5 cm
current location: Institution:Städel
source: https://sammlung.staedelmuseum.de/de/werk/ohne-titel-9
credit: <a rel="nofollow" class="external free" href="https://sammlung.staedelmuseum.de/de/werk/ohne-titel-9">https://sammlung.staedelmuseum.de/de/werk/ohne-titel-9</a>
description: abstraction · shape · area · tree · building · Cubo-<u style="background-color:yellow;" class="">futurism</u> · avant-garde · mountain range · snow · cupola · geometry · puzzle · city view · night · twilight · light-dark contrast · spatiality · complementary colour · early work · construction (technique) · deconstruction · composition · <u style="background-color:yellow;" class="">futurism</u> · Constructivism · fragmentation · overlay · solution · colour contrast · Abstract, Non-representational Art · prism ~ stereometry · irregular quadrilateral · triangle (~ planimetry, geometry) · the usual house or row of houses · trees · firmament, sky
license:CC BY-SA 4.0

