1title: Popova Philosopher
artist: Lyubov Popova
date: 1915
source: Scanned from Petrova, Bassner, Burliuk-Holt: ''Russian futurism'', ISBN|3-930775-91-3
credit: Scanned from Petrova, Bassner, Burliuk-Holt: Russian futurism, ISBN 3-930775-91-3
license:Public domain
2title: Popova Air Man Space
artist:
date: 1913/1914
source: Scanned from Petrova,Bassner, Burliuk-Holt ''Russian futurism'', ISBN|3-930775-91-3
credit: Scanned from Petrova,Bassner, Burliuk-Holt Russian futurism, ISBN 3-930775-91-3
license:Public domain
3title: Goncharova Fighters
artist: Natalia Goncharova
source: Шишанов В. А. Витебский Музей современного искусства: история создания и коллекции. 1918—1941. Минск: Медисонт, 2007. 144 с. transferred from|ru.wikipedia|Alex-engraver|CommonsHelper
credit: Шишанов В. А. Витебский Музей современного искусства: история создания и коллекции. 1918—1941. Минск: Медисонт, 2007. 144 с. Transferred from ru.wikipedia to Commons by Alex-engraver using CommonsHelper.
license:Public domain
4title: Mistero aereo (1930 31)
artist: Fillìa
date: between 1930 and 1931
medium: technique watercolor and=tempera cardboard
dimensions: 46,8 × 68,7 cm
current location: Trento, [[:it:Museo dell'aeronautica Gianni Caproni|Museo dell'aeronautica Gianni Caproni]]
source: transferred from|it.wikipedia|Daehan
credit: Transferred from it.wikipedia to Commons by Daehan.
license:Public domain
5title: Pushkin in the Futurist Manner
artist: Feodor Chaliapin
date: 1922
dimensions: <!-- size units=cm width= height=-->
source: Scanned from: cite book|author=|editor=Пономаренко Ю.А.|title=Рисунки Шаляпина|location=Москва|publisher=Планета|year=2008|page=|format=LangSwitch|en=set of postcards|ru=набор открыток |language=ru
credit: Scanned from: Пономаренко Ю.А. , ed. (in Russian) () Рисунки Шаляпина (set of postcards), Moscow: Планета
license:Public domain
6title: Roar! Gauntlets, 1908–1914
artist: Khlebnikov, Velimir Vladimirovich, 1885-1922
date: 1914
medium: ru 1=Книги fr 1=Livres en 1=Books zh 1=图书 pt 1=Livros ar 1=كتب es 1=Libros
dimensions: en 1=32 pages, illustrations
current location: ru|1=Российская национальная библиотека fr|1=Bibliothèque nationale de Russie en|1=National Library of Russia zh|1=俄罗斯国家图书馆 pt|1=Biblioteca Nacional da Rússia ar|1=مكتبة روسيا الوطنية es|1=Biblioteca Nacional de Rusia
description: This work is a collection of poems, plays, and essays by the Russian futurist Velimir Khlebnikov (born Viktor Khlebnikov, 1885–1922). It opens with Khlebnikov’s statement on the unity of Slavs in the aftermath of the annexation of Bosnia and Herzegovina by Austria-Hungary in 1908. The book includes a segment of his poem “The Wood Nymph and the Goblin,” the play Asparuh, and the drama in verse Marquise Dezes. It concludes with Khlebnikov’s reflections on railroads. The volume is illustrated by Kazimir Malevich and Vladimir Burliuk. Khlebnikov was born in Astrakhan Province and lived most of his life in Kazan. He attended university in Kazan and later in Saint Petersburg but gave up academic pursuits to devote himself entirely to literature. In addition to his writing, Khlebnikov developed a life-long interest in numbers, mathematical tables, and calculations by which he tried to identify the laws governing the course of history and the fate of peoples. The late 19th–early 20th centuries became known as the Silver Age of Russian poetry, of which futurism, along with several other movements, was part. In 1912 a group of futurists that included Khlebnikov presented a manifesto, A Slap in the Face of Public Taste, which emphasized the need for poets to create a new language and to throw overboard from the “Ship of Modernity” Pushkin, Dostoevsky, Tolstoy, and other classic authors and to proclaim the “self-sufficient word” as the core of a new aesthetic. World War I and the Russian Revolution of 1917 energized Khlebnikov and influenced the content of his writing. However, his works did not conform to the standards set by the Soviet government and he fell into disfavor.
Drama; futurism (Art); futurism (Literary movement); Poetry; Russian drama; Russian poetrylicense:Public domain
7title: Creations, 1906–1908
artist: Khlebnikov, Velimir Vladimirovich, 1885-1922
date: 1912
medium: ru 1=Журналы fr 1=Journaux, revues en 1=Journals zh 1=期刊 pt 1=Diários ar 1=المجلات es 1=Diarios y revistas
current location: ru|1=Российская национальная библиотека fr|1=Bibliothèque nationale de Russie en|1=National Library of Russia zh|1=俄罗斯国家图书馆 pt|1=Biblioteca Nacional da Rússia ar|1=مكتبة روسيا الوطنية es|1=Biblioteca Nacional de Rusia
description: Creations was a magazine produced by Hylaea, а Russian futurist group of which Velimir Khlebnikov (born Viktor Khlebnikov, 1885–1922) was one of the leading figures. This issue includes Khlebnikov’s poems, poetical fragments, and his play, The Little Devil. His works are preceded by two introductions, one by David Burliuk and another by Vasily Kamensky, both of whom were associated with Hylaea. They emphasize Khlebnikov’s talent and credit him with liberating words and imbuing them with grand meaning. Creations was illustrated by David and Vladimir Burliuk. Khlebnikov was born in Astrakhan Province and lived most of his life in Kazan. He attended university in Kazan and later in Saint Petersburg but gave up academic pursuits to devote himself entirely to literature. In addition to his writing, Khlebnikov developed a life-long interest in numbers, mathematical tables, and calculations by which he tried to identify the laws governing the course of history and the fate of peoples. The late 19th–early 20th centuries became known as the Silver Age of Russian poetry, of which futurism, along with several other movements, was part. In 1912 a group of futurists that included Khlebnikov presented a manifesto, A Slap in the Face of Public Taste, which emphasized the need for poets to create a new language and to throw overboard from the “Ship of Modernity” Pushkin, Dostoevsky, Tolstoy, and other classic authors and to proclaim the “self-sufficient word” as the core of a new aesthetic. World War I and the Russian Revolution of 1917 energized Khlebnikov and influenced the content of his writing. However, his works did not conform to the standards set by the Soviet government and he fell into disfavor.
Drama; futurism (Art); futurism (Literary movement); Poetry; Russian drama; Russian poetrylicense:Public domain
8title: Umberto Boccioni, 1913, Dynamism of a Cyclist (Dinamismo di un ciclista), oil on canvas, 70 x 95 cm, Gianni Mattioli Collection, on long term loan to the Peggy Guggenheim Collection, Venice
artist: Umberto Boccioni
date: 1913
source: [link Peggy Guggenheim Collection]
credit: Peggy Guggenheim Collection
license:Public domain
9title: Umberto Boccioni, 1912, Elasticity (Elasticità), oil on canvas, 100 x 100 cm, Museo del Novecento
artist: Umberto Boccioni
date: 1912
medium: oil on canvas
dimensions: Size cm 100 100
current location: Institution:Museo del Novecento
source: [link artblart]
credit: artblart
license:Public domain
title: Untitled
artist: Lyubov Popova
date: 1915
medium: Item Q3305213 de 1=Leinwand en 1=canvas
dimensions: de 1=72,0 x 71,5 cm en 1=72.0 x 71.5 cm
current location: Institution:Städel
source: link
credit: link
description: abstraction · shape · area · tree · building · Cubo-futurism · avant-garde · mountain range · snow · cupola · geometry · puzzle · city view · night · twilight · light-dark contrast · spatiality · complementary colour · early work · construction (technique) · deconstruction · composition · futurism · Constructivism · fragmentation · overlay · solution · colour contrast · Abstract, Non-representational Art · prism ~ stereometry · irregular quadrilateral · triangle (~ planimetry, geometry) · the usual house or row of houses · trees · firmament, sky
license:
CC BY-SA 4.0
.JPG){kind=small}
,_oil_on_canvas,_70_x_95_cm,_Gianni_Mattioli_Collection,_on_long-term_loan_to_the_Peggy_Guggenheim_Collection,_Venice.jpg){kind=small}
,_oil_on_canvas,_100_x_100_cm,_Museo_del_Novecento.jpg){kind=small}
.png){kind=small}
