title: PeoplesCrusadeMassacre

artist: Jean Colombe

date: circa 1474

current location: institution:BNF

source: link uploader was [[:en:User:Stbalbach|Stbalbach]] at [link en.wikipedia] 2004-12-07

credit: link uploader was Stbalbach at en.wikipedia 2004-12-07

title: Last Crusader

artist: Karl Friedrich Lessing

date: 1835

medium: Technique oil canvas

dimensions: Size cm 66 64

current location: Institution:Rheinisches Landesmuseum, Bonn

title: A knight who has returned home from the Crusades sits in his Wellcome V0038917

artist: unknown

source: link * Gallery: link * Wellcome Collection gallery (2018-03-22): link [link CC-BY-4.0]

credit: link Gallery: link Wellcome Collection gallery (2018-03-22): link CC-BY-4.0

description:

title: Atlas Van der Hagen KW1049B10 035-CRACOVIA POLONIAE URBS CELEBRIS AERI EXPRESSA.

artist: Dirck Jansz van Santen

date: first half 17th century

medium: nl [[:nl:Kopergravure kopergravure]] en Technique 1=copper engraving

dimensions: 34 x 50 cm

current location: Institution:Koninklijke Bibliotheek

source: Source page at the [link Geheugen van Nederland / Memory of the Netherlands] website. Koninklijke Bibliotheek

credit: This media file is from the collections of the Koninklijke Bibliotheek, part of which is available on Wikimedia Commons.

title: Knights of the Holy Ghost embarking on the crusades

artist: Jacob, P. L., 1806-1884

date: 1870

source: link * Source book page: link

credit: link Source book page: link

description: Knights of the Holy Ghost embarking on the crusades

Identifier: gri_33125008050011 (find matches)
Title: Military and religious life in the Middle Ages and at the period of the Renaissance
Year: 1870 (1870s)
Authors: Jacob, P. L., 1806-1884
Subjects: Middle Ages Civilization, Medieval Civilization, Renaissance Costume Military art and science Christian life
Publisher: London : Bickers & Son
Contributing Library: Getty Research Institute
Digitizing Sponsor: Getty Research Institute

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Knights of the Holy Ghost embarking on the crusades. This voyage was never undertaken; but the chevaliers were ordered to hold themselves ready in the event of their departure being resolved upon at Rome. The artist has sketched all the preparatives for embarking; the crusaders, on horseback, have the bow upontheir breatplates; the vessels awaiting them are decked with banners upon which are blazoned the arms of the Pope, of the Emperor, of France, of England, of Anjou-Sicily, of Tarentu, etc. After a miniature from the Statutes of the Order of the Holy Ghost at Naples. Manuscript of the XIVth century, in the Louvre.

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title: Embarking for the crusades (Miniature in a manuscript of the XIVth Century)

artist:

Heine, Heinrich, 1797-1856; Leland, Charles Godfrey, 1824-1903, tr;

date: 1898

source: link * Source book page: link

credit: link Source book page: link

description: Knights of the Holy Ghost embarking on the crusades. After a miniature in a manuscript of the XIVth Century in the museum of the Louvre

Identifier: picturesoftravel00hein (find matches)
Title: Pictures of travel;
Year: 1898 (1890s)
Authors: Heine, Heinrich, 1797-1856 Leland, Charles Godfrey, 1824-1903, tr Genung, Charles Harvey
Subjects:
Publisher: New York, D. Appleton
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress

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New York Aftf OF CONQ) D. Appleton and Company1898 APR 27 Wer 0f 2nd COPY,1898, 30PU 6151 Copyright, 1898, Ey d. appleton and company. FAMOUS AND UNIQUE MANUSCRIPT ANDBOOK ILLUSTRATIONS. A series of fac-similes, showing the development of manuscript andbook illustrating during 4000 years. EMBARKING FOR THE crusades. After a miniature in a manuscript of the XlVth Century in themuseum of the Louvre.
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HEINRICH HEINE IT is difficult, even after the lapse of more than forty yearssince Heines death, to assign to the poet his true placeand to the man his moral value. Heines nature wascomplex, and it was a complexity of unresolved discords, ofunreconciled contrasts. Never have critical judgments beenmore widely divergent than those which have been passedupon the life and works of Heine. That he is the greatestliterary force in Germany since Goethe is now a clearly estab-lished fact, but how this can be, in view of his moral andtemperamental defects, is a question which continues to stim-ulate and baffle the student. Goethes life and works forman harmonious whole; Heines life and Heines lyrics areoften strangely at variance. The reader is never sure offair treatment from Heine. Moved to tears by the exquisitepathos, beauty, and lilt of his verse, we are suddenly con-fronted by the pale face of the poet distorted into a cynicalgrin. While we gaze delighted upon a beautiful picture, itis c

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