1title: James Tissot Ball on Shipboard
artist: James Tissot
date: circa 1874
medium: Technique oil canvas
dimensions: size cm 84.1 129.5
current location: Institution:Tate Britain Tate
source: link
credit: link
license:Public domain
2title: Gaston Bussiere Exotic Dancers c 1880
artist: Gaston Bussière
date: circa 1880
medium: oil on canvas
dimensions: 45” x 35”
source: link
credit: link
license:Public domain
3title: The Church of Saint-Philippe-du-Roule, Paris.
artist: Jean Béraud
date: 1877
medium: Oil on canvas
dimensions: Size unit=cm width=59.4 height=81
current location: Institution:Metropolitan Museum of Art
source: [link The Metropolitan Museum of Art]
credit: The Metropolitan Museum of Art
license:Public domain
4title: 0935 silver cafetière
artist:
Anonymousdate: late 18th century
medium: Technique silver
current location: Unknown
source: J. Schulman (1907) ''Collections. F.W. Ross, La Haye. A. Durand, Paris. Successions de Hoorn, de Groningue. Le trésor de la corporation des bouchers à Dordrecht (provenant de M.C. BOSMAN van Oudkarspel)'', Amsterdam: [s.n.], p. 88.
credit: J. Schulman (1907) Collections. F.W. Ross, La Haye. A. Durand, Paris. Successions de Hoorn, de Groningue. Le trésor de la corporation des bouchers à Dordrecht (provenant de M.C. BOSMAN van Oudkarspel), Amsterdam: [s.n.], p. 88.
license:Public domain
5title: Place Ronde. Montchat. Lyon
artist:
Unknown authordate: before 28 July 1914
medium: LangSwitch en=Black and white postcard. fr=carte postale en noir et blanc.
source: cite web|author=Sébastien Delcampe|title=Lyon-Montchat. Place Ronde|url=link[[w:fr:Delcampe International|Delcampe International]] sprl et Delcampe Luxembourg sàrl. hébergé par evonet|accessdate=2015-06-20|language=fr
credit: Sébastien Delcampe. Lyon-Montchat. Place Ronde (in fr). Delcampe International sprl et Delcampe Luxembourg sàrl. hébergé par evonet. Retrieved on 2015-06-20.
license:Public domain
6title: Smoking lady - La Belle Époque (1900)
artist:
Unknown authordate: 1900
source: [link Cabral Moncada Leilões]
credit: Cabral Moncada Leilões
license:Public domain
7title: Modiste sur le Pont des Arts
artist: Jean Béraud
date: between circa 1879 and circa 1882
medium: Technique oil panel
dimensions: Size cm 37.5 56
current location: Private collection
source: [link Sotheby's, London, 10 December 2014, lot 30]
credit: Sotheby's, London, 10 December 2014, lot 30
description: Modiste sur le Pont des Arts belongs to the series of paintings Béraud made of the bustling Pont des Arts in wintry or windy weather, with the dome of the Institut de France visible beyond. Of the four other related versions of the subject (see Patrick Offenstadt, Jean Béraud. The belle epoque: A Dream of Times Gone By, Cologne, 1999, nos. 166, 167, 168, 168bis), one is in the Pushkin Museum, Moscow, and another in the Metropolitan Museum of Art, New York.
Here, Béraud captures the spirit of the moment, as a gust of wind sweeps over the bridge, the men leaning forward or back into the wind and clutching their hats. Out of the corner of his eye a young artist - to judge by his canvas and paint box - steals a glimpse of a pretty young milliner laden with hat boxes, who in turn sends a coquettish glance towards the viewer. In another work in the series, the girl herself is cast as the artist, with a top-hatted man looking back at her over his shoulder. It is intriguing to speculate about the possible identity of the bearded man in the tan coat. Could he be a self-referential figure, Béraud himself catching sight of his next subject? Or could he be the painter Elixir from Proust’s Remembrance of Things Past, known to have been a composite of Blanche, Helleu, Gervex, Vuillard, Whistler, and Jean Béraud?
Béraud’s paintings are today synonymous with the Paris belle Époque">belle Époque, so much so that at the turn of the century a scene of Parisian life came to be known as a ‘Béraud’. He adored the city, in all weathers, at any time of day or night, indoors or out, and above all loved its people, whether the aristocracy and upper middle classes, the bourgeoisie, or the working people. A pupil of Léon Bonnat, Béraud’s rigorous draughtsmanship owes something to this academic training, but his choice of subjects was poles apart from those of the Neoclassicists Bouguereau, Clairin and Gleyre. Doubtless Béraud’s elegant realism owed something to the new art of photography pioneered by Niépce, Daguerre, and Fox Talbot. But, hungry for verisimilitude, he was in a sense a roving camera himself, making sketches on the spot, on foot or from hansom cabs.license:Public domain
8title: Portrait of Miss Amélie Diéterle by Pierre-Auguste Renoir, version of 1899. Title : Amélie Laurent Diéterle.
artist: Pierre-Auguste Renoir
date: 1899
medium: en 1=Lithograph in gray on off-white wove paper. fr 1=Lithographie en gris sur papier vélin blanc cassé.
dimensions: size cm 53.6 40.6
current location: Institution:Art Institute of Chicago <!--within the institution-->
source: [link Amélie Diéterle (1871-1941), sur le site du musée : ''Art Institute Chicago''].
credit: Amélie Diéterle (1871-1941), sur le site du musée : Art Institute Chicago.
description: Amélie Diéterle is a French actress born in Strasbourg on February 20, 1871 and died in Cannes on January 20, 1941. She was legitimated in Paris in 1892 by Captain Louis Laurent, Knight of the Legion of Honor. Amélie Diéterle married in Vallauris on June 16th, 1930 with André Simon (1877-1965). Amélie Diéterle plays mainly at the Théâtre des Variétés in Paris during the belle Époque">belle Époque.
license:Public domain
9title: Portrait of Miss Amélie Diéterle by Pierre-Auguste Renoir, version of 1894. Title : Portrait of Amélie Diéterle.
artist: Pierre-Auguste Renoir
date: 1894
medium: en 1=Charcoal and Pastel. fr 1=Fusain et Pastel.
dimensions: size cm 54.5 43.7
current location: Private collection <!--within the institution-->
source: [link Amélie Diéterle (1871-1941), sur le site : ''Artnet.com''].
credit: Amélie Diéterle (1871-1941), sur le site : Artnet.com.
description: Amélie Diéterle is a French actress born in Strasbourg on February 20, 1871 and died in Cannes on January 20, 1941. She was legitimated in Paris in 1892 by Captain Louis Laurent, Knight of the Legion of Honor. Amélie Diéterle married in Vallauris on June 16th, 1930 with André Simon (1877-1965). Amélie Diéterle plays mainly at the Théâtre des Variétés in Paris during the belle Époque">belle Époque.
license:Public domain
title: Portrait of Miss Amélie Diéterle by Pierre-Auguste Renoir, version of 1892. Title : Young woman in bust (Miss Diéterle).
artist: Pierre-Auguste Renoir
date: 1892
medium: en 1=Lithograph in gray on off-white wove paper. fr 1=Lithographie en gris sur papier vélin blanc cassé.
dimensions: size cm 53.0 40.3
current location: Institution:Bibliothèque nationale de France <!--within the institution-->
source: gallica|btv1b52504045m/f5.item
credit: This image comes from Gallica Digital Library and is available under the digital ID btv1b52504045m/f5.item
description: Paul Gallimard (1850-1929), father of the publisher Gaston Gallimard, collector, bibliophile, famous amateur of paintings, owner of the Théâtre des Variétés, presents Amélie Diéterle to Auguste Renoir. She becomes one of the muses of the painter and will be the beautiful friend of Gallimard. Amélie Diéterle is a French actress born in Strasbourg on February 20, 1871 and died in Cannes on January 20, 1941. She was legitimated in Paris in 1892 by Captain Louis Laurent, Knight of the Legion of Honor. Amélie Diéterle married in Vallauris on June 16th, 1930 with André Simon (1877-1965). Amélie Diéterle plays mainly at the Théâtre des Variétés in Paris during the belle Époque">belle Époque.
license:Public domain
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