artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Antoine_de_Favray" class="extiw" title="w:en:Antoine de Favray">Antoine de Favray</a> </bdi>
date: Second half of the 18th Century
dimensions: w1130 x h1415 cm
current location: Pera Museum
credit: <a rel="nofollow" class="external text" href="//www.google.com/culturalinstitute/asset-viewer/FwE9CRd6bdEHEw">FwE9CRd6bdEHEw at Google Cultural Institute</a> maximum zoom level
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Fausto_Zonaro" class="extiw" title="w:en:Fausto Zonaro">Fausto Zonaro</a> </bdi>
date: late 19<sup>th</sup> century <div style="display: none;">date QS:P571,+1850-00-00T00:00:00Z/7,P4241,Q40719766</div>
dimensions: w770 x h490 cm
current location: Pera Museum
credit: <a rel="nofollow" class="external text" href="//www.google.com/culturalinstitute/asset-viewer/DgEjQZE4_U4kdg">DgEjQZE4_U4kdg at Google Cultural Institute</a> maximum zoom level
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Hans_Holbein_the_Younger" class="extiw" title="w:en:Hans Holbein the Younger">Hans Holbein</a> </bdi>
date: 1533
credit: <a rel="nofollow" class="external text" href="//www.google.com/culturalinstitute/asset-viewer/bQEWbLB26MG1LA">bQEWbLB26MG1LA at Google Cultural Institute</a>, zoom level maximum
description: <a href="https://en.wikipedia.org/wiki/Jean_de_Dinteville" class="extiw" title="w:Jean de Dinteville">Jean de Dinteville</a>, French <u style="background-color:yellow;" class="">ambassador</u> to the court of <a href="//commons.wikimedia.org/wiki/Henry_VIII_of_England" title="Henry VIII of England">Henry VIII of England</a>, and <a href="https://en.wikipedia.org/wiki/Georges_de_Selve" class="extiw" title="w:Georges de Selve">Georges de Selve</a>, Bishop of Lavaur. The painting is famous for containing, in the foreground, at the bottom, a spectacular anamorphic, which, from an oblique point of view, is revealed to be a human skull. An Azerbaijanian vishapagorg rug is on the table.
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Canaletto" class="extiw" title="w:en:Canaletto">Canaletto</a> </bdi>
date: from 1727 until 1729 <div style="display: none;">date QS:P,+1727-00-00T00:00:00Z/8,P580,+1727-00-00T00:00:00Z/9,P582,+1729-00-00T00:00:00Z/9</div> <a href="https://www.wikidata.org/wiki/Q19660561#P571" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" style="vertical-align: text-top" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20"></a>
source: https://artsandculture.google.com/asset/mwEV7sO9uSFCpw
credit: <a rel="nofollow" class="external free" href="https://artsandculture.google.com/asset/mwEV7sO9uSFCpw">https://artsandculture.google.com/asset/mwEV7sO9uSFCpw</a>
license:Public domain
artist: <div class="fn value"> Ali Quli Jabbadar (active 1642–late 17th century)</div>
date: 1673
medium: Ink, opaque watercolor, and gold on paper
dimensions: 13.12 in. high 8.25 in. wide (33.3 cm high 21 cm wide)
current location: institution:Metropolitan Museum of Art
source: [https://www.metmuseum.org/collection/the-collection-online/search/448463?rpp=30&pg=2&ft=Iran&pos=42 "Portrait of the Russian Ambassador, Prince Andrey Priklonskiy", Folio from the Davis Album] ''www.metmuseum.org''
credit: <a rel="nofollow" class="external text" href="https://www.metmuseum.org/collection/the-collection-online/search/448463?rpp=30&pg=2&ft=Iran&pos=42">"Portrait of the Russian Ambassador, Prince Andrey Priklonskiy", Folio from the Davis Album</a> <i>www.metmuseum.org</i>
license:Public domain
artist: <div class="fn value"> Unknown artist</div>
date: 17<sup>th</sup> century <div style="display: none;">date QS:P571,+1650-00-00T00:00:00Z/7</div>
medium: Technique 1=Pigments on=paper
dimensions: Size unit=cm width=43.5 height=36.5
current location: Private collection of Alexis Renard :Similar copy in Institution:British Museum
source: [http://alexisrenard.com/asiaweekny/en/gallery/shah-abbas-recevant-lambassadeur-moghol-khanalam-en-1618/ alexisrenard.com] :[https://www.britishmuseum.org/collection/object/W_1974-0617-0-15-37 British Museum version]
credit: <p><a rel="nofollow" class="external text" href="http://alexisrenard.com/asiaweekny/en/gallery/shah-abbas-recevant-lambassadeur-moghol-khanalam-en-1618/">alexisrenard.com</a> </p> <dl><dd><a rel="nofollow" class="external text" href="https://www.britishmuseum.org/collection/object/W_1974-0617-0-15-37">British Museum version</a></dd></dl>
description: This painting is depicting Shah Abbas receiving the Mughal <u style="background-color:yellow;" class="">ambassador</u> Khan ‘ Alam in 1618. Shah Abbas sits to the right of the composition in the middle of a hilly landscape offering a gold wine cup to the Mughal <u style="background-color:yellow;" class="">ambassador</u>. Their suite composed by dignitaries, musicians and pages surrounds them. <p>A nasta’liq inscription identifying the scene has been rubbed at the bottom of the painting. </p> <p>A closely related painting of a later date is kept in the collection of the British Museum and published in: Canby, S. (2009) Shah ‘Abbas – The Remaking of Iran, London: The British Museum Press, p. 63. </p> <p>Our painting might be the prototype for the British Museum’s painting. </p> Another painting related in the treatment of the composition and the figures, recently acquired by the Custodia Foundation, is ascribed to the painter Farhad (Inv. 2009-T.23).
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Benedetto_Luti" class="extiw" title="w:en:Benedetto Luti">Benedetto Luti</a> </bdi>
date: circa 1712 <div style="display: none;">date QS:P571,+1712-00-00T00:00:00Z/9,P1480,Q5727902</div>
medium: Black and red chalk, brush and brown wash, highlighted with white
dimensions: 15-7/16 x 21-3/4 in. (39.2 x 55.2 cm)
current location: Institution:Metropolitan Museum of Art
source: https://www.metmuseum.org/art/collection/search/340714 Template:TheMet
credit: This file was donated to Wikimedia Commons as part of a project by the <a href="//commons.wikimedia.org/wiki/Commons:Met" title="Commons:Met">Metropolitan Museum of Art</a>. See the <a rel="nofollow" class="external text" href="https://metmuseum.org/about-the-met/policies-and-documents/image-resources">Image and Data Resources Open Access Policy</a>
license:CC0
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Stefano_della_Bella" class="extiw" title="w:en:Stefano della Bella">Stefano della Bella</a> </bdi>
date: 1633<div style="display: none;">date QS:P571,+1633-00-00T00:00:00Z/9</div>
medium: Etching; first or second state of three
dimensions: Sheet: 6 3/4 x 104 1/4 in. (17.1 x 264.8 cm)
current location: Institution:Metropolitan Museum of Art
source: https://www.metmuseum.org/art/collection/search/395745 Template:TheMet
credit: This file was donated to Wikimedia Commons as part of a project by the <a href="//commons.wikimedia.org/wiki/Commons:Met" title="Commons:Met">Metropolitan Museum of Art</a>. See the <a rel="nofollow" class="external text" href="https://metmuseum.org/about-the-met/policies-and-documents/image-resources">Image and Data Resources Open Access Policy</a>
license:CC0
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Hans_Holbein_the_Younger" class="extiw" title="w:en:Hans Holbein the Younger">Hans Holbein</a> </bdi>
date: 1533<div style="display: none;">date QS:P571,+1533-00-00T00:00:00Z/9</div>
medium: technique oil and=tempera oak panel
dimensions: size unit=cm height=207 width=209
current location: Institution:National Gallery, London
source: Derived from|Holbein-ambassadors.jpg|display=120
credit: This file was derived from: <a href="//commons.wikimedia.org/wiki/File:Holbein-ambassadors.jpg" title="File:Holbein-ambassadors.jpg">Holbein-ambassadors.jpg</a>: <a href="//commons.wikimedia.org/wiki/File:Holbein-ambassadors.jpg" class="image"><img alt="Holbein-ambassadors.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/9/9d/Holbein-ambassadors.jpg/120px-Holbein-ambassadors.jpg" decoding="async" width="120" height="118" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/9/9d/Holbein-ambassadors.jpg/180px-Holbein-ambassadors.jpg 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/9/9d/Holbein-ambassadors.jpg/240px-Holbein-ambassadors.jpg 2x" data-file-width="1084" data-file-height="1069"></a><br>
description: <div class="description"> <p>Holbein painted this work in the early part of his second stay in England, which began in 1532. At this time he was prolific, painting Hanseatic merchants, courtiers, landowners, and visitors. <i>The Ambassadors</i> is his most famous and perhaps greatest painting of this period. The life-sized panel portrays <a href="https://en.wikipedia.org/wiki/Jean_de_Dinteville" class="extiw" title="w:Jean de Dinteville">Jean de Dinteville</a>, an <u style="background-color:yellow;" class="">ambassador</u> of <a href="https://en.wikipedia.org/wiki/Francis_I_of_France" class="extiw" title="w:Francis I of France">Francis I of France</a> in 1533, and <a href="https://en.wikipedia.org/wiki/Georges_de_Selve" class="extiw" title="w:Georges de Selve">Georges de Selve</a>, Bishop of <a href="https://en.wikipedia.org/wiki/Lavaur,_Tarn" class="extiw" title="w:Lavaur, Tarn">Lavaur</a>, who visited London the same year. </p> Until the publication of Mary F. S. Hervey's <i>Holbein's Ambassadors: The Picture and the Men</i> in 1900, the identity of the two figures in the picture had been a matter of intense debate. In 1890, Sidney Colvin was the first to propose the figure on the left as Jean de Dinteville, Seigneur of Polisy (1504–1555), French <u style="background-color:yellow;" class="">ambassador</u> to the court of Henry VIII for most of 1533. Shortly afterwards, the cleaning of the picture revealed his seat of Polisy as one of only four places marked on the globe. Hervey identified the man on the right as Georges de Selve (1508/09–1541), Bishop of Lavaur, after tracing the painting's history back to a 17th-century manuscript. Hervey's identification of the sitters has remained the standard one, affirmed in several extended studies of the painting. However, rival speculation is not entirely dead. Opposition to the identification of de Selve has been based on an inventory of 1589, discovered by Riccardo Famiglietti, which names the man on the right as de Dinteville's brother François. Leading scholars of the painting argue that this identification of 1589 was incorrect.</div>
license:Public domain
artist: unknown
date: 1948-01-01/1967-12-31
credit: This file was contributed to Wikimedia Commons by <a href="https://www.wikidata.org/wiki/Q59661040" class="extiw" title="d:Q59661040">National Archives at College Park - Still Pictures</a> as part of a cooperation project. The donation was facilitated by the <a href="https://en.wikipedia.org/wiki/Digital_Public_Library_of_America" class="extiw" title="w:Digital Public Library of America">Digital Public Library of America</a>, via its partner National Archives and Records Administration.<span style="text-align:left"> <ul> <li>National Archives Identifier: 20004194</li> <li>Source record: <a rel="nofollow" class="external free" href="https://catalog.archives.gov/id/20004194">http://catalog.archives.gov/id/20004194</a> </li> <li>DPLA identifier: <a rel="nofollow" class="external text" href="https://dp.la/item/3557fd74733826049016a0dadf825582">3557fd74733826049016a0dadf825582</a> </li> </ul></span>
license:Public domain

