• alhambra palace islamic text - image 11

    title: Georges Jules Victor Clairin Entering the Harem - Walters 3782

    artist: Georges Clairin

    date: circa 1870

    date QS:P571,+1870-00-00T00:00:00Z/9,P1480,Q5727902

    dimensions: size cm height=81.9 width=65 ; Frame dim : size cm height=117.63 width=100.97 depth=19.05

    current location: ProvenanceEvent|time=1882|type=acquisition|newowner=William T. Walters

    credit: Walters Art Museum: Nuvola filesystems folder home.svg Home page Information icon.svg Info about artwork

    description: A haughty sheik stands at the entrance to his harem as a servant pulls aside a curtain to reveal its inhabitants. The elaborately inlaid door and the honeycombed vaulting of the architecture recall the Hall of the Two Sisters at the alhambra palace in Granada, Spain. In the late 19th century, Clairin was a prominent painter of islamic subjects, portraits, and murals. He traveled to Spain and Morocco in 1868, and, in 1871, he returned to Morocco for a year and a half. Drawing on these experiences, he created dramatic, quasi-historical scenes set in 15th-century Moorish Spain.

  • alhambra palace islamic text - image 2

    title: Georges Jules Victor Clairin Entering the Harem - Walters 3782 (2)

    artist: Georges Clairin

    date: circa 1870

    date QS:P571,+1870-00-00T00:00:00Z/9,P1480,Q5727902

    medium: Oil on canvas

    dimensions: size cm height=81.9 width=65 ; Framed size cm height=117.63 width=100.97 depth=19.05

    current location: Acquired by William T. Walters, 1882

    credit: Walters Art Museum: Nuvola filesystems folder home.svg Home page Information icon.svg Info about artwork

    description: A haughty sheik stands at the entrance to his harem as a servant pulls aside a curtain to reveal its inhabitants. The elaborately inlaid door and the honeycombed vaulting of the architecture recall the Hall of the Two Sisters at the alhambra palace in Granada, Spain. In the late 19th century, Clairin was a prominent painter of islamic subjects, portraits, and murals. He traveled to Spain and Morocco in 1868, and, in 1871, he returned to Morocco for a year and a half. Drawing on these experiences, he created dramatic, quasi-historical scenes set in 15th-century Moorish Spain.

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