artist: Pietro Perugino
date: between 1497 and 1500
medium: Fresco
dimensions: size unit=cm height=229 width=370
current location: Institution:Collegio del Cambio, Perugia <!-- location within the gallery/museum -->
source: WGA link|ID=17241|pic-url=link
credit: Web Gallery of Art: Image Info about artworkreference_wga QS:P973,"link"
license:Public domain
artist: Pietro Perugino
date: between 1497 and 1500
medium: Fresco
current location: Institution:Collegio del Cambio, Perugia <!-- location within the gallery/museum -->
source: WGA link|ID=17242|pic-url=link
credit: Web Gallery of Art: Image Info about artworkreference_wga QS:P973,"link"
license:Public domain
artist:
date: 16th century (Early Modern)
medium: Technique tempera on=panel
dimensions: Overall size cm height=32.1 width=90.5 ; each small panel, size cm width=6.7 ; center panel, size cm height=32.1 width=13.5
current location: Acquired by Henry Walters, 1930
credit: Walters Art Museum: Home page
Info about artwork
description: These panels reproduce the upper two tiers of the screen (known as the iconostasis) that separates the nave from the altar in Orthodox churches. Such sets, of which this is one of the earliest known, were used by priests for makeshift altars and by lay people for personal prayer. In the upper row, the Virgin and Child are surrounded by Old Testament prophets who hold scrolls with passages foretelling Christ's birth: Habakkuk (?), Micah, Jeremiah, Moses, Daniel, David, Solomon, Jonah, Jacob, Isaiah (?), Gedeon, and Zechariah. Below, the adult Christ is seated on the throne of judgment, flanked by holy persons who entreat him to forgive our sins. On his right are the Virgin, St. Peter, Metropolitan Peter of Moscow, St. Sergius of Radonezh (a famous Russian hermit), and St. George. On his left stand John the Baptist, St. Paul, Metropolitan Alexis of Moscow, St. Cyril of Belozersk (another renowned Russian monk), and St. Demetrius.
license:Public domain
artist: Raphael
date: circa 1510
medium: pen and brown ink with brown wash over black chalk, heightened with white and squared for transfer on laid paper
dimensions: w20 x h26 cm
current location: National Gallery of Art, Washington DC
credit: 0wE8LhX6qoO7JQ at Google Cultural Institute maximum zoom level
license:Public domain
artist: unknown
date: 1700
medium: ru 1=Рукописи fr 1=Manuscrits en 1=Manuscripts zh 1=手稿 pt 1=Manuscritos ar 1=مخطوطات es 1=Manuscritos
dimensions: en 1=14 sheets, paper : illustrations ; 24 x 18 centimeters
current location: ru|1=Государственная библиотека Баварии fr|1=Bibliothèque d’État de Bavière en|1=Bavarian State Library zh|1=巴伐利亚州立图书馆 pt|1=Biblioteca Estatal da Baviera ar|1=مكتبة ولاية بافاريا es|1=Biblioteca Estatal de Baviera
description: This small volume from the Bavarian State Library contains depictions of 12 prophets of the Old Testament: Jeremiah, Moses, Zechariah, Ezekiel, Hosea, Isaiah, David, Amos, Jonah, Micah, Daniel, and Joel. Monumental, with commanding demeanor fitting their functions as seers and admonitors, the prophets appear in wide cloaks flowing amply around them in the drawings, which are crafted in ink with great verve. With spiritual expressions on their faces, they seem to stare at the spectator. Each leaf is signed RAF by the artist Raffaello Schiaminossi (1572–1622), a master of drawing and etching from Sansepolcro in Tuscany. The beautiful red morocco leather binding with gold embossing carries the coat of arms (as a supralibros) of Clement XI (pope 1700–1721), born Giovanni Francesco Albani, the owner of a world famous art collection housed in the Albani Palazzo del Drago alle Quattro Fontane in Rome. The collection was structured according to certain principles derived from Raphael’s theories of art. The binding of this book is much simpler than the well-known Roman bindings from the Albani library and, on closer inspection, the drawings also prove to be copies of engravings by Schiaminossi, crafted by a German artist. The work thus appears to be an ingenious fake, made around 1700, which came into the Bavarian State Library via the art trade in the 19th century. The mystery of the fake has not been solved.
Bible. Old Testament; prophets
license:Public domain
artist: unknown
date: between 1490 and 1500
medium: ru 1=Рукописи fr 1=Manuscrits en 1=Manuscripts zh 1=手稿 pt 1=Manuscritos ar 1=مخطوطات es 1=Manuscritos
dimensions: en 1=23 sheets, parchment : color illustrations ; 25 x 17.5 centimeters
current location: ru|1=Государственная библиотека Баварии fr|1=Bibliothèque d’État de Bavière en|1=Bavarian State Library zh|1=巴伐利亚州立图书馆 pt|1=Biblioteca Estatal da Baviera ar|1=مكتبة ولاية بافاريا es|1=Biblioteca Estatal de Baviera
description: This manuscript, entitled Sibyllae et prophetae de Christo Salvatore vaticinantes (The sibyls and prophets foretelling Christ the Savior), is possibly a product of the workshop of the French illuminator Jean Poyer (circa 1445–1504) of Tours. The sibyls were female seers from the ancient world whose prophecies it was thought foretold the coming of Christ. This work consists of 25 large illuminations: a depiction of Noah's ark and 12 double-page spreads. The left side of each of the double pages depicts one of the sibyls, who is paired on the right side with a scene from the life of Christ and the history of salvation that she was said to have prophesied. The scenes on the right are accompanied by an Old Testament prophet and an evangelist. The manuscript probably was acquired by Elector Maximilian I of Bavaria (1573–1651), more as a work of art than a book. It therefore was kept in the elector’s art collection. Only in 1785 was it incorporated into the library.
Illuminations; Jesus Christ; prophets
license:Public domain
artist:
date: 1735–90
medium: Black chalk
dimensions: 8-3/8 x 12-1/2 in. (21.2 x 31.8 cm)
current location: Institution:Metropolitan Museum of Art
source: link Template:TheMet
credit: This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
license:CC0
artist: Francesco Rosselli
date: 1480–90
medium: Engraving
dimensions: Sheet: 11 1/2 × 7 15/16 in. (29.2 × 20.2 cm) Plate: 6 15/16 × 4 3/16 in. (17.7 × 10.7 cm)
current location: Institution:Metropolitan Museum of Art
source: link Template:TheMet
credit: This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
license:CC0
artist: Duccio di Buoninsegna
date: c. 1482/1485
medium: tempera on single poplar panel
dimensions: painted surface (left side image): 43 × 16 cm (16 15/16 × 6 5/16 in.) painted surface (center image): 43 × 43.9 cm (16 15/16 × 17 5/16 in.) painted surface (right side image): 43 × 16 cm (16 15/16 × 6 5/16 in.) overall (including original frame): 48 × 86.8 × 7.9 cm (18 7/8 × 34 3/16 × 3 1/8 in.)
current location: Institution:National Gallery of Art
source: link Template:NGADC
credit: This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
license:CC0
artist:
date: c. 1510
medium: pen and brown ink with brown wash over charcoal and blind stylus, heightened with white gouache and squared for transfer with blind stylus and red chalk, on laid paper
dimensions: overall: 26.2 x 20 cm (10 5/16 x 7 7/8 in.)
current location: Institution:National Gallery of Art
source: link Template:NGADC
credit: This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
license:CC0