• zhang zeduan - image 11

    title: Qingming shanghe tu bridge

    artist: zhang zeduan

    source: own replica --[[User:Immanuel Giel|Immanuel Giel]] 09:38, 8 November 2006 (UTC)

    credit: own replica --Immanuel Giel 09:38, 8 November 2006 (UTC)

  • zhang zeduan - image 22

    title: Qingming shanghe tu gate tower

    artist: zhang zeduan

    date: 8 November 2006, 09:39 (UTC)

    source: own : own replica by [[User:Immanuel Giel|Immanuel Giel]]

    credit: Own work: own replica by Immanuel Giel

  • zhang zeduan - image 33

    title: Qingming shanghe tu towboat

    artist: zhang zeduan

    source: own replica --[[User:Immanuel Giel|Immanuel Giel]] 09:41, 8 November 2006 (UTC)

    credit: own replica --Immanuel Giel 09:41, 8 November 2006 (UTC)

  • zhang zeduan - image 44

    title: Qingming shanghe tu 11

    artist: zhang zeduan

    source: own replica --[[User:Immanuel Giel|Immanuel Giel]] 10:58, 8 November 2006 (UTC)

    credit: own replica --Immanuel Giel 10:58, 8 November 2006 (UTC)

  • zhang zeduan - image 55

    title: Along the River 7 119-3

    artist:

    Chen Mei (陳枚), Sun Hu (孫祜), Jin Kun (金昆), Dai Hong (戴洪) and Cheng Zhidao (程志道), five court painters under the Qianlong Emperor.

    date: 1736

    date QS:P571,+1736-00-00T00:00:00Z/9

    medium: / hanging scroll , Technique ink adjand=light and=colors silk

    dimensions: size cm 1152.8 35.6

    current location: Taipei :museum:NPM

    source: link

    credit: link

  • zhang zeduan - image 66

    title: Along the River During the Qingming Festival (detail of original)

    artist: zhang zeduan

    date: 1085 Edit this at Wikidata

    source: [[:File:Alongtheriver QingMing.jpg]]

    credit: File:Alongtheriver QingMing.jpg

  • zhang zeduan - image 77

    title: Alongtheriver QingMing

    artist: zhang zeduan

    date: 12th century, Song Dynasty

    medium: Technique ink and=colour silk

    dimensions: size cm 28.2 528.7

    current location: Palace Museum

    source: LangSwitch |zh=百度贴吧 |en=w|Baidu Tieba||en

    credit: Baidu Tieba

  • zhang zeduan - image 88

    title: 清明上河圖

    artist: zhang zeduan

    date: 1085 Edit this at Wikidata

    source: Extracted from|Alongtheriver QingMing.jpg

    credit:

    image extraction process This file has been extracted from another file: Alongtheriver QingMing.jpg
    original file

  • zhang zeduan - image 99

    title: Along the River During the Qingming Festival (Qing Court Version)

    artist:

    Five artists from the Painting Academy and active at the Qing court:

    • Chen Mei (陳枚)
    • Sun Hu (孫祜)
    • Jin Kun (金昆)
    • Dai Hong (戴洪)
    • Cheng Zhidao (程志道)

    date: 1736

    date QS:P571,+1736-00-00T00:00:00Z/9

    medium: Handscroll, ink and color on silk

    dimensions: 35.6 × 1152.8 cm

    current location: Institution:National Palace Museum

    source: Stitched and then resized from the original files located at: *''[link A Special Exhibition of Paintings on "Up the River During Qingming" in the Museum Collection]'' (exhibit). Taipei: National Palace Museum.
    [link 古畫動漫-清院本清明上河圖] (展覽). 臺北: 國立故宮博物院. Also located at: *''[link A Special Exhibition of Paintings on "Up the River During Qingming" in the Museum Collection]'' (exhibit). Taipei: National Palace Museum.
    [link 清明上河圖特展] (展覽). 臺北: 國立故宮博物院.

    credit:

    Stitched and then resized from the original files located at:

    Also located at:

    description:

    This painting is known as the "Qing Court Version" of Along the River During the Qingming Festival. Here, the figural scenes are numerous and detailed, happening around noteworthy landmarks and places such as the serene rustic countryside, the Rainbow Bridge (虹橋) and its crowded markets, the lively surroundings and throughways at the city walls and gates, the busy streets and various packed shops, the secluded literati gardens, the Songzhu Hall (松竹軒) as well as the beautiful site of the Jinming Lake (金明池).

    This painting was based on the original Along the River During the Qingming Festival (清明上河圖) by zhang zeduan (張擇端, fl. early 12th century) in which the original depicted the life and customs at the capital Bianjing (汴京), present-day Kaifeng (開封), of the Song dynasty.

  • zhang zeduan - image 10

    title: Qingming in Brief

    artist:

    Unknown artist

    date: Ming dynasty (1368–1644)

    medium: Handscroll, ink and colors on silk

    dimensions: 38 x 673.4 cm

    current location: Institution:National Palace Museum

    source: Stitched and then resized from the original files located at:
    ''[link A Special Exhibition of Paintings on "Up the River During Qingming" in the Museum Collection]'' (exhibit). Taipei: National Palace Museum.

    credit: Stitched and then resized from the original files located at:
    A Special Exhibition of Paintings on "Up the River During Qingming" in the Museum Collection (exhibit). Taipei: National Palace Museum.

    description:

    At the left side of the painting is a columnar rock upon which is a signature that reads "Submitted by Your Servant, zhang zeduan, Painter of the Hanlin [Academy]" (翰林畫史臣張擇端進呈). Even though the painting was traditionally attributed to zhang zeduan (張擇端, fl. early 12th century), it actually appears to be a copy from the Ming dynasty (1368–1644). This work is therefore a later interpretation based on the original Along the River during the Qingming Festival (清明上河圖) by zhang zeduan.

    Many of the shop signs in the painting correspond to names of shops in the Record of Dream Splendors at the Eastern Capital (東京夢華錄), a text from the Southern Song period about the Northern Song capital Bianjing (汴京, present-day Kaifeng). The type of masonry of the city wall here had not yet appeared in the Northern Song period. The landforms and vegetation seem to reveal an influence from the style of the painter Qiu Ying (ca. 1494-1552). The blue, green, and red washes for the buildings and palaces is typical for Suzhou fakes. The scroll also contains spurious seals of Wang Shizhen (王世貞, 1526–1590) and Yan Shifan (嚴世藩, 1513–1565). In conclusion, this seems to be a late Ming work based on a Southern Song description of the Northern Song city.

    The title refers to the Commentary on the Book of Changes (易經.繫辭) wherein it is stated "with ease it is easily understood, and with brevity it is free of labor" (易則易知,簡則易從). It is thus likely that the artist intended for the viewer to easily grasp the full scope of the painting by simplifying its elements.

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