artist: William-Adolphe Bouguereau
date: 1896
medium: Oil on canvas
dimensions: size cm 121 160.5
current location: Private collection
source: link
credit: link
license:Public domain
artist: Katsushika Hokusai
date: First publication: between circa 1830 and circa 1832
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dimensions: size cm 25.7 37.9
current location: Institution:Metropolitan Museum of Art
source: Met online|45434
credit: Metropolitan Museum of Art, online database: entry 45434
description: Although it is often used in tsunami literature, there is no reason to suspect that Hokusai intended it to be interpreted in that way. The Waves in this work are sometimes mistakenly referred to as tsunami (津波), but they are more accurately called okinami (沖波), great off-shore Waves.
license:Public domain
artist: After Katsushika Hokusai
date: circa 1930 (original was created between 1823-1829)
source: photo of the artwork
credit: photo of the artwork
license:Public domain
artist: After Katsushika Hokusai
date: First publication: between 1826 and 1833
This edition: Reprint by Adachi from the Shōwa period (between 1926 and 1989).
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medium: technique woodblock print color=color
current location: Institution:Library of Congress
source: Restored version of [[:File:Great Wave off Kanagawa.jpg]] (rotated and cropped, dirt, stains, and smudges removed. Creases corrected. Histogram adjusted and color balanced.)
credit: Restored version of File:Great Wave off Kanagawa.jpg (rotated and cropped, dirt, stains, and smudges removed. Creases corrected. Histogram adjusted and color balanced.)
license:Public domain
artist: Ivan Aivazovsky
date: 1850
current location: Institution:Russian_Museum
source: Hermitage_Torrent
credit: (.torrent with info-hash)
license:Public domain
artist: Tawaraya Sôtatsu
medium: technique ink and=color and2=gold and3=silver paper
dimensions: size cm height=167 width=369.90
current location: Not on view Institution:Freer Gallery of Art
source: From Google Cultural Institute|bQGmvAsRVylcMw
credit: bQGmvAsRVylcMw at Google Cultural Institute, zoom level maximum
license:Public domain
artist: Albert Bierstadt
date: circa 1872
medium: Technique oil paper mounted=canvas
dimensions: Size cm 40.6 55.9
source: Christie's online|ID=5436885|sale=2444|lot=37, New York, 18 May 2011
credit: Christie's, LotFinder: entry 5436885 (sale 2444, lot 37, New York, 18 May 2011)
license:Public domain
artist:
date: 19th century
dimensions: w367 x h505 cm
current location: Suntory Museum of Art
credit: hwHcw8MRyN7psw at Google Cultural Institute maximum zoom level
license:Public domain
artist: Édouard Manet
date: 1878
medium: Oil on canvas
dimensions: Unframed: 65.4 x 80 cm (25 3/4 x 31 1/2 in.) Framed [outer dim] (Display): 96.5 x 112.4 x 11.4 cm (38 x 44 1/4 x 4 1/2 in.)
current location: Institution:Getty Museum
source: Getty Museum online|825
credit: The Getty Center, Object 825 This image was taken from the Getty Research Institute's Open Content Program, which states the following regarding their assessment that no known copyright restrictions exist: Open content images are digital surrogates of works of art that are in the Getty's collections and in the public domain, for which we hold all rights, or for which we are not aware of any rights restrictions. While the Getty Research Institute cannot make an absolute statement on the copyright status of a given image, "Open content images can be used for any purpose without first seeking permission from the Getty." More information can be found at link known copyright restrictionsNo restrictionshttp://www.getty.edu/about/opencontent.htmlfalse
description: To commemorate the recent Exposition Universelle, itself a celebration of luxury and prosperity, the French government declared June 30, 1878, a national holiday. The holiday, called the Fête de la Paix (Celebration of Peace), also marked France's recovery from the disastrous Franco-Prussian War of 1870-1871 and the bloody, divisive Paris Commune that followed. From his second-floor window, Édouard Manet captured the holiday afternoon with his most precise, staccato brushwork in a patriotic harmony of the reds, whites, and blues of the French flag that Waves from the new buildings' windows.
The urban street was a principal subject of Impressionist and Modernist painting; many artists aimed to show not only the transformation and growth of the Industrial Age but how it also affected society. Manet's eyes saw both elegant passengers in hansom cabs and, in the foreground, a worker carrying a ladder. The hunched amputee on crutches, perhaps a war veteran or beggar, passes by fenced-in debris left from the construction of a new train track. Manet's sensitivity to the associated costs and sacrifices tempered his optimistic view of national pride and newfound prosperity.
license:Public domain
artist: unknown
date: second half of the 18th–first half of the 19th century
medium: Porcelain with underglaze blue (Hirado ware)
dimensions: H. 8 1/2 in. (21.6 cm)
current location: Institution:Metropolitan Museum of Art
source: link Template:TheMet
credit: This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
license:CC0