1title: Orrente isaac
artist: Pedro Orrente
date: circa 1616
medium: Oil on canvas
dimensions: size unit=cm height=133.5 width=167
current location: Institution:Museo de Bellas Artes, Bilbao
source: [link]
credit: [2]
description: La obra representa al patriarca Abraham disponiéndose a sacrificar, por mandato de Dios, a su hijo isaac" title="isaac">isaac, aunque Yahve, tras comprobar la fidelidad de Abraham a sus mandatos, impidió que el sacrificio se llevara a cabo.
license:Public domain
2title: Sacrifice of Isaac
artist: Caravaggio
date: circa 1603
medium: Technique oil canvas
dimensions: Size unit=cm width=135 height=104
current location: Institution:Uffizi Florence
source: scan
credit: scan
description:
license:Public domain
3title: Sacrifice of Isaac (Veronese)
artist: Paolo Veronese
date: circa 1586
medium: oil on canvas
dimensions: size cm 129 95
current location: Institution:Prado
source: [link Museo Nacional del Prado, Madrid]
credit: Museo Nacional del Prado, Madrid
description:
license:Public domain
4title: Pedro Orrente The Sacrifice of Isaac - Google Art Project
artist: Pedro Orrente
date: Ca. 1616
medium: technique oil canvas
dimensions: w1670 x h1335 cm
current location: Museo de Bellas Artes de Bilbao
credit: -gGYIwbuIQcG8A at Google Cultural Institute maximum zoom level
description: La obra representa al patriarca Abraham disponiéndose a sacrificar, por mandato de Dios, a su hijo isaac" title="isaac">isaac, aunque Yahve, tras comprobar la fidelidad de Abraham a sus mandatos, impidió que el sacrificio se llevara a cabo.
license:Public domain
5title: Sacrificio de Isaac
artist: Santiago Rebull (1829 - 1902)Details of artist on Google Art Project
date: 1857
medium: en Oil on canvas
dimensions: w1860 x h2730 mm
current location: Museo Nacional de Arte
credit: JgHqBge2CLTYfg at Google Cultural Institute maximum zoom level
description:
license:Public domain
6title: 'Sacrifice of Isaac' by Christian Wilhelm Ernst Dietrich, 1730s, Hermitage
artist: Christian Wilhelm Ernst Dietrich
date: 18th century
medium: technique oil panel
dimensions: Size cm 28.5 20
current location: Institution:Hermitage
source: own
credit: Own work
description:
license:Public domain
7title: Christian Wilhelm Ernst Dietrich Sacrifice of Isaac - Eremitage
artist: Christian Wilhelm Ernst Dietrich
date: 18th century
medium: technique oil panel
dimensions: Size cm 28.5 20
current location: Institution:Hermitage
source: [link Hermitage]
credit: Hermitage
description:
license:Public domain
8title: Abraham about to sacrifice Isaac
artist:
Unknown authordate: circa 1310 - circa 1320
source: Institution:National Library of Wales
credit: National Library of Wales
description: This beautiful Missal made from parchment originates from East Anglia. It is considered a very important manuscript as it is one of the earliest examples of a Missal of an English source. Sarum Missals were books produced by the Church during the Middle Ages for celebrating Mass throughout the year
license:
CC0
9title: The Sacrifice of Isaac MET DT200612
artist: Giovanni Domenico Tiepolo
date: mid 1750s
medium: technique oil canvas
dimensions: Size cm 39.1 53.3
current location: Institution:Metropolitan Museum of Art
source: link Template:TheMet
credit: This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
description:
license:
CC0
title: Andrea del Sarto The Sacrifice of Isaac - 1937.577 - Cleveland Museum of Art
artist:
Andrea del Sartodate: circa 1527
medium: technique oil wood
dimensions: Framed: 208 x 171 x 12.5 cm (81 7/8 x 67 5/16 x 4 15/16 in.); Unframed: 178 x 138 cm (70 1/16 x 54 5/16 in.)
current location: institution:Cleveland Museum of Art
source: link
credit: link
description:
In this dramatic test of faith from the Old Testament book of Genesis, Abraham agrees to slay his son isaac on God’s command. As Abraham raises the knife, an angel suddenly appears to halt the sacrifice. This work gains its power from the complex expressions of father and son, combining grief, strength, resignation, fear, and realization in their faces and bodies, the latter inspired by ancient sculpture and Michelangelo. Andrea del Sarto never finished this painting, and it lays bare his working methods. He transferred the design to the panel from a drawing, reinforcing the chalk with painted lines—best seen in the donkey at the far right. He then worked over the whole panel at once with thin, brushy veils of color, letting him alter the composition while painting—especially evident in the angel, isaac’s body, and Abraham’s head.license:
CC0
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