artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Edwin_Landseer" class="extiw" title="w:en:Edwin Landseer">Edwin Henry Landseer</a> </bdi>
date: between 1848 and 1851 <div style="display: none;">date QS:P571,+1850-00-00T00:00:00Z/7,P1319,+1848-00-00T00:00:00Z/9,P1326,+1851-00-00T00:00:00Z/9</div>
medium: en oil on canvas
dimensions: w1330 x h820 cm
current location: National Gallery of Victoria
credit: <a rel="nofollow" class="external text" href="//www.google.com/culturalinstitute/asset-viewer/qAFcRhWcRy2Zeg">qAFcRhWcRy2Zeg at Google Cultural Institute</a> maximum zoom level
license:Public domain
artist: unknown
date: 1827<div style="display: none;">date QS:P571,+1827-00-00T00:00:00Z/9</div>
source: Image extracted from page 1 of volume 1 of ''The Spirit of the Plays of Shakspeare exhibited in a Series of Outline Plates, illustrative of the story of each play ... With quotations and descriptions. L.P'', by HOWARD, Frank. Original held and digitised by the British Library. Copied [https://www.flickr.com/photos/britishlibrary/11008836273 from Flickr]. ''Note: The colours, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.'' Mechanical Curator image
credit: This file is from the <a href="//commons.wikimedia.org/wiki/Commons:British_Library/Mechanical_Curator_collection" title="Commons:British Library/Mechanical Curator collection">Mechanical Curator collection</a>, a set of over 1 million images scanned from out-of-copyright books and released to Flickr Commons by the British Library. <small> </small><p> <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/britishlibrary/11008836273">View image on Flickr</a> <a rel="nofollow" class="external text" href="http://www.flickr.com/photos/britishlibrary/tags/sysnum001746143">View all images from book</a> </p> <a rel="nofollow" class="external text" href="http://explore.bl.uk/BLVU1:LSCOP-ALL:BLL01001746143">View catalogue entry for book</a>.
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:John_Simmons_(painter)" class="extiw" title="w:en:John Simmons (painter)">John Simmons</a> </bdi>
date: 1870<div style="display: none;">date QS:P571,+1870-00-00T00:00:00Z/9</div>
medium: Watercolor heightened with gouache on paper laid down on canvas
dimensions: Size cm 89 74
source: [http://www.sothebys.com/en/auctions/ecatalogue/2012/19th-century-paintings-n08847/lot.72.html Sotheby's, New York, 04 May 2012, lot 72]
credit: <a rel="nofollow" class="external text" href="http://www.sothebys.com/en/auctions/ecatalogue/2012/19th-century-paintings-n08847/lot.72.html">Sotheby's, New York, 04 May 2012, lot 72</a>
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Vincent_van_Gogh" class="extiw" title="w:en:Vincent van Gogh">Vincent van Gogh</a> </bdi>
date: 1888-09-16
medium: technique oil canvas , digital reconstruction of the original colours
dimensions: size cm 81 65.5
current location: Institution:Kröller-Müller Museum
source: Photo by Szilas at the Van Gogh, My Dream Exhibition in Budapest, 2013
credit: Photo by Szilas at the Van Gogh, My Dream Exhibition in Budapest, 2013
license:Public domain
artist: <bdi>Manner of <a href="https://en.wikipedia.org/wiki/en:Jacob_Jordaens" class="extiw" title="w:en:Jacob Jordaens">Jacob Jordaens</a> </bdi>
date: <bdi lang="">Unknown date<div style="display: none;">Unknown date</div></bdi>
medium: en Oil on canvas sv Olja på duk
dimensions: * Size unit=cm width=142 height=115 depth=* ''Framed'': Size unit=cm width=177.5 height=151 depth=
current location: Institution:Nationalmuseum Stockholm
source: Nationalmuseum
credit: Nationalmuseum
description: Description in Flemish paintings C. 1600-C. 1800 III, Nationalmuseum, Stockholm, 2010, cat.no. 109: <p>Technical notes: The support consists of a single piece of coarsely woven plain weave fabric. Fragments of the tacking edges have been preserved. Broad cusping occurs along the lower edge and to a smaller extent along the top edge as well. The painting has probably retained its original height. The painting has been lined. The canvas was prepared with thick, evenly applied ground that completely covers the structure of the support. The ground seems to have been dark reddishbrown. The paint layer consists of single opaque layer that completely covers the underlying preparation. Simple painting technique. The painting underwent conservation treatment in 1987. </p> <p>Provenance: Purchase 1986 from Auktionsverket Stockholm, no. 597. </p> <p>Exhibited: Börstorp, 1987. </p> <p>This theme was treated by Jordaens around 1650.1 The original of this painting is in the Staatliches Museum Schwerin, there ascribed to Jordaens.2 The motif, which it has not been possible to identify, is probably taken from some classical literary source. It depicts an interior at <u style="background-color:yellow;" class="">night</u> with a man moving uneasily in his bed while he stretches out his arms towards a naked young woman who seems to appear as a <u style="background-color:yellow;" class="">dream</u> figure. Two figures with a candle are standing in the open doorway, while a stool with various bedroom utensils is toppled by the draught. The nude woman standing with her back towards the viewer recalls a similar motif by Jordaens – King Candaules of Lydia Showing his Wife to Gyges (no. 105). A fragmentary classical narrative that has also been proposed as the subject of this work is “The Corinthian Bride” in which a young woman returns to her home in ghostly form after her death.3 </p> <p>The original painting was referred to by a contemporary painter, Gerard de Lairesse, in 1666, a few years after Jordaens’ death. He was not certain what the motif was either.4 GCB </p> <p>1 J. Held, Jordaens “<u style="background-color:yellow;" class="">night</u> Vision – A Rejoinder”, Journal of the Warburg and Courtauld Institutes 25, 1962, pp. 131–134. 2 Jacob Jordaens, Nächtliche Erscheinung, oil on canvas, 133 x 144, inv. no. G 161. See Jan Brueghels Antwerpen. Die flämische Gemälde in Schwerin, Staatliches Museum Schwerin 2003, no. 31. 3 The textual basis of this interpretation has been proposed by E. Bielefeld, “Jordaens’ <u style="background-color:yellow;" class="">night</u> Vision”, Journal of the Warburg and Courtauld Institutes 23, 1960, pp. 177–178. </p> 4 See above Held 1962.[End]
license:Public domain
artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Paul_Gervais_(painter)" class="extiw" title="w:en:Paul Gervais (painter)">Paul Gervais</a> </bdi>
date: 1897<div style="display: none;">date QS:P571,+1897-00-00T00:00:00Z/9</div>
medium: Technique oil canvas
dimensions: Size unit=cm width=520 height=350
current location: Institution:Musée des Augustins de Toulouse Augustins location|Salon rouge
source: own
license:Public domain
artist: <div class="fn value"> <div style="float:left;"><a href="https://www.wikidata.org/wiki/Q4233718" class="extiw" title="d:Q4233718">anonymous</a></div> <a href="https://www.wikidata.org/wiki/Q60467149#P170" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" style="vertical-align: text-top" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20"></a> </div>
date: 1560
source: https://clevelandart.org/art/1962.279.20.a
credit: <a rel="nofollow" class="external free" href="https://clevelandart.org/art/1962.279.20.a">https://clevelandart.org/art/1962.279.20.a</a>
license:Public domain
artist: <div class="fn value"> <div style="float:left;"><a href="https://www.wikidata.org/wiki/Q4233718" class="extiw" title="d:Q4233718">anonymous</a></div> <a href="https://www.wikidata.org/wiki/Q60467417#P170" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" style="vertical-align: text-top" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20"></a> </div>
date: 1560
source: https://clevelandart.org/art/1962.279.239.b
credit: <a rel="nofollow" class="external free" href="https://clevelandart.org/art/1962.279.239.b">https://clevelandart.org/art/1962.279.239.b</a>
license:Public domain
artist: <div class="fn value"> <div style="float:left;"><a href="https://www.wikidata.org/wiki/Q4233718" class="extiw" title="d:Q4233718">anonymous</a></div> <a href="https://www.wikidata.org/wiki/Q60481941#P170" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" style="vertical-align: text-top" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20"></a> </div>
date: circa 1670 <div style="display: none;">date QS:P571,+1670-00-00T00:00:00Z/9,P1480,Q5727902</div>
medium: Opaque watercolor with gold on paper, pink and blue borders decorated with gold foliate motifs, text on verso
dimensions: Page: 32 x 24.4 cm (12 5/8 x 9 5/8 in.)
current location: institution:Cleveland Museum of Art
source: https://clevelandart.org/art/2013.332
credit: <a rel="nofollow" class="external free" href="https://clevelandart.org/art/2013.332">https://clevelandart.org/art/2013.332</a>
description: <div class="description"> In Islamic texts, as in the Hebrew and Christian Old Testament traditions, Zulaykha is the unnamed wife of Potiphar, a wealthy Egyptian. This scene is from a popular Persian poem that recounts the story of Joseph and Zulaykha as a mystical romance, and describes her visionary dreams of a beautiful lover. In this painting we see the luxuriously dressed Zulaykha asleep on a terrace, reclining on ornate pillows as a vision of her love, Joseph, appears before her. He is illuminated by radiant light cast down by angels emerging from the dark <u style="background-color:yellow;" class="">night</u> clouds.</div>
license:CC0
artist: <div class="fn value"> <p>Print made by: John Chapman </p> <dl><dd>Published by: T Whittle</dd></dl> </div>
date: 1799<div style="display: none;">date QS:P571,+1799-00-00T00:00:00Z/9</div>
medium: paper
dimensions: : Height: 218 millimetres : Width: 276 millimetres
current location: Institution:British Museum
source: https://www.britishmuseum.org/collection/object/P_1868-0808-12511
credit: <a rel="nofollow" class="external free" href="https://www.britishmuseum.org/collection/object/P_1868-0808-12511">https://www.britishmuseum.org/collection/object/P_1868-0808-12511</a>
description: Pl. to the 'Anti-Jacobin Review', iii. 99. Fox, asleep in a half-tester bed, is beset by the phantoms of his <u style="background-color:yellow;" class="">dream</u>. A fiery horse, ridden by a sansculotte, lies on his chest, kicking a hind hoof in his mouth. The rider plants on Fox's breast the staff of a flag inscribed 'Vive la Liberté' on which a heart (on an inverted crown) is transfixed by a dagger. The foot of the low bedstead has collapsed and the whole bed slides downwards on a tilted floor. A fierce creature (Bonaparte), almost naked except for cocked hat, jack-boots, and enormous sabre, wrenches at the fingers of Fox's out-thrown left hand. A demon with webbed wings, naked except for an arsenal of daggers and a bonnet-rouge, clings to the top of the tester, and clutches at the bed-coverings which he has dragged from Fox. Under Fox's pillow is a dagger, a winged dagger flies towards him from the window. By the foot of the bed (left) are Fox's boots and coat, from the pocket projects 'Godwins Political Justice'. A chamber-pot is inscribed 'Le Paux' (see BMSat 9240). On the floor, with a single die, are pamphlets and papers: 'Ancient Republics', the words facing a black man standing on his head; '[Wa]kefield Answer'; 'Morn[ing Chronicle]'. 1 May 1799 <br>Stipple engraving
license:Public domain

