artist: Raphael
date: circa 1506-1507
medium: Oil on panel
dimensions: size cm 107 77
current location: Institution:Uffizi <!--within the institution-->
source: Yorck
credit: The Yorck Project () 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202.
license:Public domain
artist: Raphael
date: 1507
medium: Oil on panel
dimensions: size cm 107 77
current location: Institution:Uffizi <!--within the institution-->
source: [link]
credit: [1]
license:Public domain
artist: Raphael
date: from 1505 until 1506
medium: technique Oil panel
dimensions: size cm height=107 width=77
current location: Raphael and Andrea del Sarto Institution:Uffizi
source: From Google Cultural Institute|oAFhnMjj7HippQ
credit: oAFhnMjj7HippQ at Google Cultural Institute, zoom level maximum
license:Public domain
artist: Raphael
date: circa 1506-1507
medium: Oil on panel
dimensions: size cm 107 77
current location: Institution:Uffizi <!--within the institution-->
source: Repro from artbook (VEB E. A. Seemann Verlag, Leipzig)
credit: Repro from artbook (VEB E. A. Seemann Verlag, Leipzig)
license:Public domain
artist: Raphael
date: 29 April 2013, 23:22:16
current location: Institution:Uffizi Gallery
source: File:Raffaello Sanzio - madonna del cardellino - Google Art Project.jpg
credit: File:Raffaello Sanzio - madonna del cardellino - Google Art Project.jpg
description: Detail showing Goldfinch of madonna del cardellino (madonna of the Goldfinch) by Raphael in the Uffizi Gallery in Florence. From above image on Commons, and Google Art Project
license:Public domain
artist:
medium: Technique oil panel
dimensions: Size cm 31.8 23.5
source: christies online|ID=5101808|sale=7609|lot=1, London, date|2008|07|08
credit: Christie's, LotFinder: entry 5101808 (sale 7609, lot 1, London, )
license:Public domain
artist: Raphael
date: 1917
current location: Institution:Uffizi Gallery
source: link * Source book page: link
credit: link Source book page: link
description: Raphael: madonna del cardellino
Identifier: landscapefigurepai00sher (find matches)
Title: Landscape and figure painters of America
Year: 1917 (1910s)
Authors: Sherman, Frederic Fairchild, 1874-1940
Subjects: Landscape painting Figure painting
Publisher: New York : Privately printed
Contributing Library: Getty Research Institute
Digitizing Sponsor: Getty Research Institute
View Book Page: Book Viewer
About This Book: Catalog Entry
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Text Appearing Before Image:
in ^ wherever it was found. In this sphere it Italy. continued to excel, but never again, from the Vol. m. . . chap. i. days of the early Renaissance, has it been J* A* Sy~ able to express the ideas that dominated the monds. 1 world at any time, as Giotto and his followersrepresented the religious and social aspira-tions of their day. From the beginning of this new life in artthere are traces of interest in landscape paint-ing, but until the commencement of the seven-teenth century it was treated as a subordinatematter. It was used mainly as an accessoryof figure painting, for which it made a con-venient background. But it was mostly con-ventional work, and very seldom was thereany attempt to treat nature for its own sake. Still very charming are many of the earliertranscriptions of nature, such as the delicatelyand sincerely painted landscape in Hubert1380-1440. and Jan Van Eycks masterpiece, TheAdoration of the Lamb (see Plate 2), with itsgreen meadow, decked with flowers, its trees
Text Appearing After Image:
Plate IV. — madonna del cardellino. Raphael. A BRIEF HISTORY 9 and far-off hills; or the scenery of Memlincs1 »i43°-i495- Reliquary of St. Ursula or Durers2 quaint 2I47I_I528. and symbolic version of the country in which the Knight on Horseback is placed. Very fine also are the backgrounds painted by Perugino and Pinturicchio (see Plate 3) and the somewhat sad landscapes of Raphael,3 with 3I483-i52o. their beautiful drawing of grass, flower, and tree in every detail. (See Plate 4.) But it is the Venetian school that makesthe nearest approach to modern ideas. Thelittle vistas of country in Bellinis4 work are 4i426-isi6.beautiful, and Giorgione5 painted a lovely 5I476-i5u.piece of nature, in which the Sleeping Venusreposes, in his picture in the Dresden gallery.Titian8 and Tintoretto7 continue the work of 6I477_IS76.Giorgione, and reach the highest point, up 7l5I9-l594-to their time, in depicting nature. Titiansearly life was passed in the Cadore country,and he never forgot the scen
Note About Images
license:No restrictions
artist: Otto Friedrich Ignatius
date: 1817
source: [link Kunstauktionshaus Schloss Ahlden]
credit: Kunstauktionshaus Schloss Ahlden
description: Kopie von 1817 der "madonna del cardellino" (madonna mit dem Stieglitz) Öl auf Leinwand, verso signiert und datiert 1817 mit Ortsangabe Florenz. 100,5 cm x 73 cm.
license:Public domain
artist: Giacomo Brogi
date: 1883
medium: technique paper
source: HWY
credit: LSH 107393 (hm_dig17975)
description:
license:Public domain
artist: Raphael
date: circa 1506-1507
medium: Oil on panel
dimensions: size cm 107 77
current location: Institution:Uffizi <!--within the institution-->
source: [link Uffizi]
credit: Uffizi
license:Public domain