artist: Leonardo da vinci
dimensions: 25,2 x 17,2 cm
current location: Windsor Castle, Royal Collection
source: self-scanned
credit: self-scanned
description:
license:Public domain
artist: Leonardo da vinci
dimensions: 19 x 15 cm
current location: Windsor Castle, Royal Collection
source: self-scanned
credit: self-scanned
description:
license:Public domain
artist: Attributed to Leonardo da vinci
date: circa 1505
source: Museum of the Ancient People of Lucania, Italy
credit: Museum of the Ancient People of Lucania, Italy
description: back of panel of portrait of Leonardo da vinci, showing inscription. Believed by some experts to be a self-portrait and therefor the work upon which a numbber of later paintings (such as that in the Uffizi) are based. The inscription "Pinxit mea" is written from right to left.
license:Public domain
artist: Attributed to Leonardo da vinci
date: circa 1505
current location: [[:Category:Museum of the Ancient People of Lucania|Museum of the Ancient People of Lucania]]
source: Museo Antiche delle Genti di Lucania, Italy, Photo by Nico Barbatelli
credit: Museo Antiche delle Genti di Lucania, Italy, Photo by Nico Barbatelli
license:Public domain
artist: Leonardo da vinci
date: circa 1512
medium: technique chalk color=red paper
dimensions: size unit=mm height=333 width=213
current location: Institution:Biblioteca Reale, Turin <!-- location within the gallery/museum -->
source: link WGA link|ID=12798|pic-url=link
credit: link Web Gallery of Art: Image Info about artworkreference_wga QS:P973,"link"
license:Public domain
artist: Dennis Jarvis from Halifax, Canada
date: 2014-07-04 09:28
source: [link France-003314 - portrait of a Woman]
credit: France-003314 - portrait of a Woman
description:
PLEASE, NO invitations or self promotions, THEY WILL BE DELETED. My photos are FREE to use, just give me credit and it would be nice if you let me know, thanks.
portrait of a woman, said to be La Belle Ferronnière, painted in Milan around 1495 - 1499, by Leonardo da vinci.license:CC BY-SA 2.0
artist: Leonardo da vinci
date: circa 1512
medium: technique chalk color=red paper
dimensions: size unit=mm height=333 width=213
current location: Institution:Biblioteca Reale, Turin <!-- location within the gallery/museum -->
source: WGA link|ID=12798|pic-url=link
credit: Web Gallery of Art: Image Info about artworkreference_wga QS:P973,"link"
license:Public domain
artist:
date: 1911
source: link * Source book page: link
credit: link Source book page: link
description: portrait of a Young Man by Andrea del Sarto
Identifier: historyofpaintin01macf (find matches)
Title: A history of painting
Year: 1911 (1910s)
Authors: Macfall, Haldane, 1860-1928
Subjects: Painting Painters
Publisher: London and Edinburgh : T.C. and E.C. Jack
Contributing Library: University of California Libraries
Digitizing Sponsor: Internet Archive
View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.
Text Appearing Before Image:
del Fede, theextravagant and black-hearted jade, who roused a madinfatuation in him which was as disastrous to him as artistas his marriage with her was to him as man. Her faceappears in his several Madonnas, in The Holy Family at theBorghese Gallery in Rome, in the Madonna delle Arpie atthe Uffizi in Florence—a long, handsome face, that drewhim to dishonours manifold, to villainies, and to self-contempt. For her vile soul he flung his talents into themere making of money. Her heartless extravagances andvile conceit kept him in a state of perpetual money-troubles.At last he flung up his handsome and lucrative employmentby Francis i., King of France, whose confidence andtrust he foully betrayed, filching the large sums of gold242 XXVI ANDREA DEL SARTOi486 I531 THE SCULPTOR (National Gallery) This, one of the most haunting portraits of the whole Italian achieve-ment, was long supposed to be the portrait of Andrea Del Sarto himself.It displays the masters art in its most perfect form.
Text Appearing After Image:
OF PAINTING entrusted to him by the king for the purchase of works WHEREIN of art. THE RE- The genius of Andrea del Sarto must be judged by his NAISSANCE portraits; and so judged he stands amongst the great painters. * ™ ITALY But he can also take high place with his larger work. He PERISHES • • AMIDST was harassed by the neighbourhood of the vast genius of rttink Michelangelo ; in dreading comparison by the side of theother, he allowed his eyes to see, and his hand to create, theacademic thing;—instead of being content to be great andexpress himself, he compelled his hand to employ the brush,and his eyes to see through the vision first of Leonardo daVinci and then of Michelangelo—and the habit of apingthe grand manner grew upon him. Michelangelos mannerof drawing draperies compelled him to follow ; and hisefforts to rival their sculpturesque sense led him to thestatuesque posings which slowly overwhelmed the signifi-cance of his own vigorous hand and the reality of things a
Note About Images
license:No restrictions
artist: Leonardo da vinci
date: circa 1512
medium: technique chalk color=red paper
dimensions: size unit=mm height=333 width=213
current location: Institution:Biblioteca Reale, Turin <!-- location within the gallery/museum -->
source: Derived from|Leonardo da vinci - presumed self-portrait - WGA12798.jpg|display=120
credit: This file was derived from: Leonardo da vinci - presumed self-portrait - WGA12798.jpg:
license:Public domain
artist:
date: between 1819 and 1820
medium: Technique watercolor and=pencil paper
dimensions: Size unit=cm width=19.3 height=12.5
current location: cite web |title=Burg Posterstein |url=link
source: Museum Burg Posterstein
credit: Museum Burg Posterstein
license:CC BY-SA 4.0