1title: The Woods that Hears and Sees Bosch
artist: Hieronymus bosch
date: circa 1500
medium: Technique Pen and=ink colorand=brown
dimensions: Size cm height=20.2 width=12.7
current location: Institution:Kupferstichkabinett Berlin
source: flickr.com : [link Home] : [link Info]
credit: flickr.com : Home : Info
description:
Front of a two-sided drawing. For the reverse, see bosch (reverse).jpg">File:The Woods that Hears and Sees bosch (reverse).jpg.license:Public domain
2title: Jheronimus Bosch
artist: Attributed to Jacques Le Boucq
date: circa 1550
medium: Technique charcoal and=chalk colorand=red paper
dimensions: Size cm 41 28
current location: Arras, Bibliothèque Municipale
source: link * Alternative: link * Previously: www.editions-du-gui.fr : [link Home] : [link Info]
credit: link Alternative: link Previously: www.editions-du-gui.fr : Home : Info
license:Public domain
3title: Rembrandt 167
artist: Rembrandt
date: Circa 1635-1640
medium: Ucfirst: Technique oil oak panel
dimensions: Size cm height=62.5 width=47
current location: Institution:Mauritshuis
license:Public domain
4title: Artist as a Young Man Rembrandt Harmenszoon van Rijn
artist: After Rembrandt
date: Circa 1629
medium: Ucfirst: Technique oil oak panel
dimensions: Size cm height=37.9 width=28.9
current location: Institution:Mauritshuis
source: mauritshuis.nl : [link Home] : [link Info] : [link Pic]
credit: mauritshuis.nl : Home : Info : Pic
description:
portrait of Rembrandt with a gorget. Formerly attributed to Rembrandt. Now believed to be a copy from Rembrandt’s studio after a self-portrait currently in the Germanisches Nationalmuseum, Nuremberg (see File:Rembrandt van Rijn 184.jpg).
In 1991, Claus Grimm raised the possibility that the Germanisches Nationalmuseum version was the original and the Mauritshuis version a copy, basing his arguments on stylistic grounds, including the more refined finish of the Mauritshuis version, uncharacteristic of Rembrandt's loose handling. Finally, in 1998, infrared reflectography determined an understudy in the Mauritshuis version, which is known to be wholly uncharacteristic of Rembrandt's mode of working. Consequently most authors now accept the Germanisches Nationalmuseum version to be the original. Van der Vinde suggest the Maurithuis version came from Rembrandt's first pupil Gerrit Dou (p. 68).license:Public domain
5title: The Trees Have Ears and the Field Has Eyes by Hieronymus Bosch
artist: Hieronymus bosch
date: circa 1500
medium: Technique Pen and=ink colorand=brown
dimensions: Size cm height=20.2 width=12.7
current location: Institution:Kupferstichkabinett Berlin
source: Anthony Bond et al. (2005) ''self portrait. Renaissance to Contemporary'', London: National portrait Gallery, ISBN|978-1855143579 , fig. 42.
credit: Anthony Bond et al. (2005) self portrait. Renaissance to Contemporary, London: National portrait Gallery, ISBN 978-1855143579, fig. 42.
description:
Front of a two-sided drawing. For the reverse, see bosch (reverse).jpg">File:The Woods that Hears and Sees bosch (reverse).jpg.license:Public domain
6title: The Pedlar, closed state of The Hay Wain by Hieronymus Bosch
artist: unknown
medium: technique
dimensions: size
source: Fig 43 from ''self portrait: Renaissance to Contemporary'' (Anthony Bond, Joanna Woodall, ISBN|978-1855143579 ).
credit: Fig 43 from self portrait: Renaissance to Contemporary (Anthony Bond, Joanna Woodall, ISBN 978-1855143579).
license:Public domain
7title: The Hay Wain by Hieronymus Bosch
artist: Hieronymus bosch or workshop
date: circa 1516
medium: Ucfirst: Oil on panel
dimensions: size unit=cm height=147 width=212
current location: Institution:Museo del Prado floor|0 , Room|56a
source: Anthony Bond [''et al.''] (2005) ''self portrait. Renaissance to contemporary'', London: National portrait Gallery, ISBN|978-1855143579 , fig. 44.
credit: Anthony Bond [et al.] (2005) self portrait. Renaissance to contemporary, London: National portrait Gallery, ISBN 978-1855143579, fig. 44.
license:Public domain
8title: The Garden of Earthly Delights by Hieronymus Bosch
artist: Hieronymus bosch
date: between 1494 and 1505 / between 1490 and 1500 / between circa 1490 and circa 1510
source: Fig 45 from ''self portrait: Renaissance to Contemporary'' (Anthony Bond, Joanna Woodall, ISBN|978-1855143579 ). [[Category:self portrait: Renaissance to Contemporary]] [[Category:The Garden of Earthly Delights]]
credit: Fig 45 from self portrait: Renaissance to Contemporary (Anthony Bond, Joanna Woodall, ISBN 978-1855143579).
license:Public domain
9title: Follower of Rembrandt 002
artist: Follower of Rembrandt
date: between 1640 and 1800
medium: Oil on canvas
dimensions: Size cm height=21 width=17
current location: Institution:Rijksmuseum Amsterdam
source: Geheugen van Nederland : [link Home] : [link Info] : [link Pic]
credit: Geheugen van Nederland : Home : Info : Pic
license:Public domain
title: De kunstgalerij van Jan Gildemeester Jansz Rijksmuseum SK A-4100.
artist: Adriaan de Lelie
date: between 1794 and 1795
medium: Technique 1=oil on=panel
dimensions: size cm 63.7 85.7
current location: Institution:Rijksmuseum
source: link
credit: link
description: De kunstgalerij van Jan Gildemeester Jansz in zijn huis aan de Herengracht te Amsterdam. Interieur met een groep gasten die de aanwezige schilderijen bekijken. In het midden Jan Jansz. Gildemeester met een bezoeker met een bril. Links een vrouw zittend achter een ezel. De kamer is gedecoreerd met schilderingen van Jacob de Wit. Door de deur zijn meer schilderijen in een andere kamer zichtbaar. Tot de aanwezigen behoren Pieter Fouquet, C.R.T. Krayenhoff, de schilders Adriaan de Lelie (knielend rechts op de voorgrond) en Jurriaan Andriessen, mevr. Marianne Dull-Dohrman en Bernardus de bosch Jeronimosz.
license:Public domain
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