title: Die fünf Maler

artist: <bdi><a href="https://en.wikipedia.org/wiki/en:F%C3%A9lix_Vallotton" class="extiw" title="w:en:Félix Vallotton"><span title="Swiss painter and printmaker (1865-1925)">Félix Vallotton</span></a> </bdi>

date: from 1902 until 1903 <div style="display: none;">date QS:P571,+1902-00-00T00:00:00Z/8,P580,+1902-00-00T00:00:00Z/9,P582,+1903-00-00T00:00:00Z/9</div>

medium: technique oil canvas

dimensions: 145 x 187 cm

current location: de|Winterthur de|Kunstmuseum Winterthur

source: repro from artbook

credit: repro from artbook

title: <div class="fn"> <span >Homage to Cezanne</span> </div>

artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Maurice_Denis" class="extiw" title="w:en:Maurice Denis"><span title="French painter">Maurice Denis</span></a> </bdi>

date: 1900<div style="display: none;">date QS:P571,+1900-00-00T00:00:00Z/9</div>

source: http://www.wikiart.org/en/maurice-denis/homage-to-cezanne-1900

credit: <a rel="nofollow" class="external free" href="http://www.wikiart.org/en/maurice-denis/homage-to-cezanne-1900">http://www.wikiart.org/en/maurice-denis/homage-to-cezanne-1900</a>

description: This painting rings out like a manifesto. Maurice Denis has assembled a group of friends, artists and critics, in the shop of the art dealer, Ambroise Vollard, to celebrate Paul Cézanne, who is represented by the still life on the easel. This painting, Fruit Bowl, Glass and Apples had belonged to Paul Gauguin, who is also evoked among the tutelary examples to whom Denis is paying homage. Effectively, a painting by Gauguin and another by Renoir can be made out in the background. Odilon Redon is also given pride of place: he is shown in the foreground on the far left and most of the figures are looking at him. He is listening to Paul Sérusier who is standing in front of him. From left to right, we can recognise Edouard <u style="background-color:yellow;" class="">vuillard</u>, the critic André Mellerio in a top hat, Vollard behind the easel, Maurice Denis, Paul Ranson, Ker-Xavier Roussel, Pierre Bonnard smoking a pipe, and lastly Marthe Denis, the painter's young wife. Part of the Nabi generation is gathered here in a composition which follows on from the homage paid by Fantin-Latour in several paintings, especially A Studio at Les Batignolles in the Musée d'Orsay. When Maurice Denis exhibited his work in Paris and Brussels in 1901, reactions were sometimes hostile. In his diary, the artist referred to it as "that painting, which still makes the public laugh". His friend, the writer André Gide, immediately offered to buy it. He did not part with it until 1928 when he gave it to the Musée du Luxembourg.

title: <div class="fn"> Place Vintimille</div>

artist: <bdi><a href="https://en.wikipedia.org/wiki/en:%C3%89douard_Vuillard" class="extiw" title="w:en:Édouard Vuillard"><span title="French painter (1868-1940)">Édouard Vuillard</span></a> </bdi>

date: 1911<div style="display: none;">date QS:P571,+1911-00-00T00:00:00Z/9</div>

medium: five-panel screen, distemper on paper laid down on canvas

dimensions: overall (each of five panels): 230 x 60 cm (90 9/16 x 23 5/8 in.)

current location: Institution:National Gallery of Art

source: [http://www.nga.gov/content/ngaweb/Collection/art-object-page.106394.html National Gallery of Art]

credit: <a rel="nofollow" class="external text" href="http://www.nga.gov/content/ngaweb/Collection/art-object-page.106394.html">National Gallery of Art</a>

title: <div class="fn"> Madame Bonnard</div>

artist: <bdi><a href="https://en.wikipedia.org/wiki/en:%C3%89douard_Vuillard" class="extiw" title="w:en:Édouard Vuillard"><span title="French painter (1868-1940)">Édouard Vuillard</span></a> </bdi>

date: between 1895 and 1900 <div style="display: none;">date QS:P571,+1500-00-00T00:00:00Z/6,P1319,+1895-00-00T00:00:00Z/9,P1326,+1900-00-00T00:00:00Z/9</div>

medium: oil on cardboard

dimensions: overall: Size cm 41.7 31.9 framed: Size cm 63.5 53.3 5.4

current location: institution:National Gallery of Art

source: NGA object|92998

credit: <a rel="nofollow" class="external text" href="https://www.nga.gov/collection/art-object-page.92998.html">National Gallery of Art, Washington, D. C., online collection</a>

title: <div class="fn"> <span >Poker</span> </div>

artist: <bdi><a href="https://en.wikipedia.org/wiki/en:F%C3%A9lix_Vallotton" class="extiw" title="w:en:Félix Vallotton"><span title="Swiss painter and printmaker (1865-1925)">Félix Vallotton</span></a> </bdi>

date: 1902<div style="display: none;">date QS:P571,+1902-00-00T00:00:00Z/9</div>

medium: technique oil cardboard

dimensions: size cm 52.5 67.4

current location: institution:Musée d'Orsay

source: http://www.devoir-de-philosophie.com/dissertation-felix-vallotton-partie-poker-277735.html

credit: <a rel="nofollow" class="external free" href="http://www.devoir-de-philosophie.com/dissertation-felix-vallotton-partie-poker-277735.html">http://www.devoir-de-philosophie.com/dissertation-felix-vallotton-partie-poker-277735.html</a>

title: Misia et Vallotton à Villeneuve

artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Pierre_Bonnard" class="extiw" title="w:en:Pierre Bonnard"><span title="French painter and printmaker (1867-1947)">Pierre Bonnard</span></a> </bdi>

date: 1899<div style="display: none;">date QS:P571,+1899-00-00T00:00:00Z/9</div>

medium: oil on board laid down on cradled panel

dimensions: 27 5/8 x 20 1/8 in. (70.2 x 51.1 cm.)

source: http://www.christies.com/lotfinder/paintings/edouard-vuillard-misia-et-vallotton-a-villeneuve-6108763-details.aspx?from=searchresults&intObjectID=6108763&sid=1fa98b9e-ce1a-45a2-8718-ecc64c247e1e

credit: <a rel="nofollow" class="external free" href="http://www.christies.com/lotfinder/paintings/edouard-vuillard-misia-et-vallotton-a-villeneuve-6108763-details.aspx?from=searchresults&amp;intObjectID=6108763&amp;sid=1fa98b9e-ce1a-45a2-8718-ecc64c247e1e">http://www.christies.com/lotfinder/paintings/edouard-vuillard-misia-et-vallotton-a-villeneuve-6108763-details.aspx?from=searchresults&amp;intObjectID=6108763&amp;sid=1fa98b9e-ce1a-45a2-8718-ecc64c247e1e</a>

title: Pierre Bonnard Madame Vuillard Seated

artist: <bdi><a href="https://en.wikipedia.org/wiki/en:Pierre_Bonnard" class="extiw" title="w:en:Pierre Bonnard"><span title="French painter and printmaker (1867-1947)">Pierre Bonnard</span></a> </bdi>

date: before 1947 <div style="display: none;">date QS:P571,+1947-00-00T00:00:00Z/7,P1326,+1947-00-00T00:00:00Z/9</div>

source: https://www.the-athenaeum.org/art/detail.php?ID=85286

credit: <a rel="nofollow" class="external free" href="https://www.the-athenaeum.org/art/detail.php?ID=85286">https://www.the-athenaeum.org/art/detail.php?ID=85286</a>

title: Portrait de Bonnard dans son atelier

artist: <bdi><a href="https://en.wikipedia.org/wiki/en:%C3%89douard_Vuillard" class="extiw" title="w:en:Édouard Vuillard"><span title="French painter (1868-1940)">Édouard Vuillard</span></a> </bdi>

medium: charcoal and pencil on canvas

dimensions: 41 x 47 1/4 in. (104 x 120 cm.)

source: https://www.christies.com/lotfinder/lot_details.aspx?intObjectID=6126991

credit: <a rel="nofollow" class="external free" href="https://www.christies.com/lotfinder/lot_details.aspx?intObjectID=6126991">https://www.christies.com/lotfinder/lot_details.aspx?intObjectID=6126991</a>

title: <div class="fn"> Mater Dolorosa (The Virgin Mary Mourning)</div>

artist: <div class="fn value"> Georges-Daniel de Monfreid</div>

date: 1897<div style="display: none;">date QS:P571,+1897-00-00T00:00:00Z/9</div>

medium: Painted plaster and wood

dimensions: Framed: 73.7 x 59.1 x 17.8 cm (29 x 23 1/4 x 7 in.)

current location: institution:Cleveland Museum of Art

source: https://clevelandart.org/art/2002.54

credit: <a rel="nofollow" class="external free" href="https://clevelandart.org/art/2002.54">https://clevelandart.org/art/2002.54</a>

description: <div class="description"> <p>This sculpture was originally part of a project for a Calvary depicting Mary Magdalene, the Virgin Mary, and Christ on the Cross (see photo); Monfreid may or may not have completed the design. He intended to execute the piece in ceramic, as suggested by the Mater Dolorosa's shadowy browns, blues, and purples which resemble ceramic glazes. The intensity of the unrealistic colors, as well as the emotional nature of the religious subject, characterizes this rare example of Nabis sculpture. Led by Paul Gauguin, Paul Serusier, Pierre Bonnard, and Édouard <u style="background-color:yellow;" class="">vuillard</u> during the 1890s, the Nabis-Hebrew for "prophet"-proclaimed spiritual and sacred values. They reacted against the Impressionists, who they thought were mundane and superficial. </p> <p>The inscription at the upper right includes the artist's signature as well as a dedication to Doctor Gouzer, a mutual friend of Monfreid and Gauguin and to whom Monfreid gave Mater Dolorosa in 1897. During his intense twelve-year correspondence with Monfreid, Gauguin praised the artist for giving the work to Gouzer, noting "Your Calvary is a true revelation: it is the masterwork of your life." </p> <p><br> Photo of: </p> Plaster reconstruction of Monfreid's Calvary by Aristide Maillol (1861-1944) at the Gallerie Charpentier in Paris, 1938. The figure at the right demonstrates how Mater Dolorosa fit into the scheme of the sculpture.</div>

title: <div class="fn"> <i>Madame Bonnard </i> </div>

artist: <div class="fn value"> Edouard Vuillard</div>

date: 1895/1900

medium: oil on cardboard

dimensions: overall: 41.7 x 31.9 cm (16 7/16 x 12 9/16 in.) framed: 63.5 x 53.3 x 5.4 cm (25 x 21 x 2 1/8 in.)

current location: Institution:National Gallery of Art

source: https://purl.org/nga/collection/artobject/92998 Template:NGADC

credit: This file was donated to Wikimedia Commons as part of a project by the <a href="//commons.wikimedia.org/wiki/Commons:NGA" title="Commons:NGA">National Gallery of Art</a>. Please see the Gallery's <a rel="nofollow" class="external text" href="https://images.nga.gov/en/page/openaccess.html">Open Access Policy</a>.